Word: containers
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Dates: during 1970-1979
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Like Pinga, Loughlin and Shapiro, entrepreneurs, executives and local officials throughout the land are bewildered and outraged by the growing number of federal rules and regulations. They seem to float out from Washington as casually as children blow soap bubbles, and all too often contain about as much substance. No one can possibly keep up with all the pronouncements affecting him and his business or profession, and many people have given up trying. Each national Administration has promised to cut the paper burden, only to end up adding to it. The Commission on Federal Paperwork, created in 1974 to figure...
...results are excruciatingly flat. Wilder has little talent for imitating Brooks' mad comic style, no matter how diligently he tries. Though his films have not yet descended to the puerile level of Marty Feldman's recent Brooks knockoff, The Last Remake of Beau Geste, they contain no big laughs. In place of honest humor, Wilder provides the illusion of knockabout comedy-frantically busy scenes and lots of noise. Only Saturday-morning TV addicts could possibly endure the antics of The World's Greatest Lover, in which characters are forever shouting their lines, bulging their eyes and stumbling...
Okun has a different fear. Since the Federal Reserve has been unable to contain the growth of money supply by the usual method of moving funds in and out of the banking system, it is trying to hold down the money stock by pushing up borrowing costs. Since the start of 1977, the prime rate on bank loans to business has risen from 6¼% to 7¾% in November. Okun's fear is that the board will lift interest rates high enough to discourage borrowing and cause a recession in 1979. Says he: "The Federal Reserve...
...files apparently contain information which, for instance, may help clarify the adversary relationship which developed between Lowell--a member of Governor Alvan T. Fuller's commission to investigate the case--and then-Law School Dean Felix Frankfurter--a Sacco-Vanzetti suporter...
Fortunately, the anniversary issue is not completely devoted to articles declaiming Rolling Stone, how do I love thee? Let me count the ways." Jon Landau's analysis of the contemporary rock's tendency toward sterile sophistication may not contain any earth-shattering insights, but he does stitch together a number of perceptive comments on the evolution of rock into a very readable and succinct three-page piece. And the fifty-page album of Rolling Stone photographer Annie Leibovitz's finest work provides the kind of pictorial history of rock that only this magazine could. From the first full-page shot...