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...punish me for my contempt for authority, Fate made me an authority myself...

Author: /time Magazine | Title: The TIME Centennial News Quiz | 12/31/1999 | See Source »

...losers Hoffman usually plays (in Boogie Nights or Happiness) than for a patrician hunk like Dickie. The deglamorizing of Ripley pays off beautifully in his final meeting with Freddie, who sees through Tom's sham, quickly spotting the poseur's lapses of taste and showing a delicious upper-class contempt for a real nobody trying to be a fake somebody...

Author: /time Magazine | Title: Cinema: Can Matt Play Ripley's Game? | 12/27/1999 | See Source »

...need bother mocking or pitying the Irish; they do such a good job of it themselves. Frank McCourt beautifully juggled contempt and sympathy in his memoir of growing up poor and wet in Limerick in the '30s and '40s, before squandering the goodwill he had accrued with the taint of 'Tis (it'll be a while before that sour screed is filmed). Parker, who did right by the Irish in The Commitments, has a go at the impossible task of adapting Angela's Ashes and trying to satisfy all those who loved the book so much that McCourt's painful...

Author: /time Magazine | Title: Cinema: Angela's Ashes | 12/27/1999 | See Source »

...towering that a cynic looking back could not have contempt for it. To re-create the bustling, politically contentious '30s, when a young Orson Welles tried to stage the socialist musical The Cradle Will Rock with federal funding, Robbins has splashed a couple of dozen real people onto a garish movie mural, Diego Rivera-style. While Welles (MacFayden) and producer John Houseman (Elwes) try to persuade their government patron (Jones) not to cancel the show, Nelson Rockefeller (Cusack) romances Rivera (Blades), then literally trashes his work. There's also a young actress (Watson), an old ventriloquist (Murray), a swank saleswoman...

Author: /time Magazine | Title: Cinema: Cradle Will Rock | 12/27/1999 | See Source »

...make him interesting. But students in Justice are required to pluck Kant from the clouds, fumble with him in their untutored hands and mold him to a present-day problem--like smashing a butterfly between one's fingers in order to admire its wings. Such familiarity breeds, if not contempt, at least a false and dangerous sense of intimacy...

Author: By Hugh P. Liebert, | Title: Core Classes Lack Depth | 12/21/1999 | See Source »

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