Word: contente
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Dates: during 2000-2009
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...Thomas would sometimes steal ice from those machines outside gas stations. He had the theory that ice should be free. We didn't reflect much on who would make the ice if it were free, but fortunately we grew out of that phase. Likewise, those who believe that all content should be free should reflect on who will open bureaus in Baghdad or be able to fly off as freelancers to report in Rwanda under such a system...
...this not because I am "evil," which is the description my daughter slings at those who want to charge for their Web content, music or apps. Instead, I say this because my daughter is very creative, and when she gets older, I want her to get paid for producing really neat stuff rather than come to me for money or decide that it makes more sense to be an investment banker...
...this, too, because I love journalism. I think it is valuable and should be valued by its consumers. Charging for content forces discipline on journalists: they must produce things that people actually value. I suspect we will find that this necessity is actually liberating. The need to be valued by readers - serving them first and foremost rather than relying solely on advertising revenue - will allow the media once again to set their compass true to what journalism should always be about...
Walter Isaacson's thought-provoking cover story "How to Save Your Newspaper" suggests that the road we all went down--not charging for content online--may well have been the wrong one. He says a system of micropayments could be the answer to getting great and important journalism to pay for itself. But only consumers can ratify and verify that idea. And I think people would. I know there are 3.3 million TIME subscribers who believe that the perspective and knowledge we give you every week in the magazine and every day online are worth paying...
...lesser-known work every few years; however, co-producer Clara H. Kim ’09 said that the cast and crew confronted various challenges while staging this modern piece, which conforms to the Mozart model in its organizational structure but strays from those constraints with an offbeat musical content in keeping with Stravinsky’s rhythmic innovations. “We had some reservations because of the difficulty of the vocal writing, which can be virtuosic and unidiomatic at times, and also the difficulty of the orchestra parts,” Kim said. “However...