Word: contentively
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Dates: during 1960-1969
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...ponder than a principle to prove, TIME this week makes a major change in the interest of good printing. For the first time since early in TIME'S 40-year history, we have changed the magazine's body type-the type in which most of the editorial content is printed. Until this week, most of our columns have been printed in a variation of a type somewhat inappropriately called Old Style. Beginning with this issue, we will use Times Roman, designed for the Times of London by the noted expert on type, Britain's Stanley Morison...
Cambridge 38 is a magazine that has yet to live up to its layout. Usually one of the most attractive undergraduate publications around, 38 scores once again with its photographs and artwork, but its content, with one exception, drags down the level of the issue...
...some ways, though. Seltzer and Vail are very much alike. Each is a natty dresser. Each is concerned primarily with his paper's editorial content rather than its business operation. Each is an avid Cleveland booster. And each has a healthy respect for the other. "I happen to believe Louis Seltzer has a lot on the ball." says Vail. Seltzer returns the compliment, though somewhat more subtly. "My catalyst is competition and collision." says he. "When I'm pushed hardest, that's when I feel best. I sure as hell feel real good right...
...softly and hope for the best. Soon hordes of murderous Boxers swarm over the compound, knifing, shooting, burning. Imperial Chinese troops join the attack after the Dowager Empress (Dame Flora Robson in plastic eyelids and black contact lenses) darkly observes: "China is a prostrate cow. The foreigners are not content to milk her, but must also butcher her." Ava goes to work in the hospital like a Pekinese Scarlett O'Hara, pawning her emeralds for food and drugs. On her way back to the compound she gets winged by a Boxer sniper. The kindly old Viennese doctor (kindly...
...after 25 years of official scorn in Russia; Shostakovich meekly labeled his next symphony "A Soviet Artist's Reply to Just Criticism." Now, in its first American recording, the Fourth is worth hearing mainly to find out what all the fuss was about. Whatever its polemic content may be, it sounds clumsily Mahlerian and full of papier-maché grandeur...