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Word: contently (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...male editors hang above the fireplace, observing—from a bygone era—the activities of the publication today. This balance between revering history and promoting the avant-garde is what distinguishes the Advocate from other literary magazines and allows it to seek out the most innovative content...

Author: By Liyun Jin, CRIMSON STAFF WRITER | Title: ‘Advokats’ In The House | 4/15/2009 | See Source »

...Today, the Advocate, published quarterly, is composed of four content boards: poetry, fiction, features, and art. Their mission statement is simple—“The Harvard Advocate is concerned with supporting literature and the Arts on campus”—remaining largely unchanged for over a century...

Author: By Liyun Jin, CRIMSON STAFF WRITER | Title: ‘Advokats’ In The House | 4/15/2009 | See Source »

...this day, Advocate editors say they strive to feature content that they themselves admire, as opposed to simply chosing pieces that may be the most commercially successful or popular. The rich history of the Advocate, rather than engendering a conflict between the old and the new, actually contributes to its ability to find groundbreaking work...

Author: By Liyun Jin, CRIMSON STAFF WRITER | Title: ‘Advokats’ In The House | 4/15/2009 | See Source »

...future, one way forward for the broadcast networks is to capitalize on certain Internet websites as fee-paying distributors. Just as cable providers and satellite-television companies pay carry fees to producers of content, Internet entrepreneurs could arrange local advertising or subscription services that would allow them to pay content creators for certain programming. Websites with a -large number of active users, such as Facebook, would become the new Comcast. Networks would thus pass the problem of garnering advertising revenue on to the new websites, who are already actively struggling to find a solution. With such alluring content, even that...

Author: By Kiran R. Pendri | Title: Futurology 4 | 4/12/2009 | See Source »

...products has been not to expand accessibility and profit, but to clamp down on it. Consider Viacom’s legal showdown with YouTube. And has Disney confused itself with DeBeers? The profound shortage of common sense in such moves—given that the fundamental driver of a content creator’s success is the size of its audience—is reflected in the black market’s vibrancy: Not more than half an hour after their original broadcast on the East Coast, most shows are uploaded across the Internet...

Author: By Kiran R. Pendri | Title: Futurology 4 | 4/12/2009 | See Source »

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