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...liberalization of the screen had begun; American movies, long stuck in a bland adolescence, were suddenly and controversially open to "adult themes": nudity, four-letter words, explicit violence. Valenti headed off the puritan backlash. He persuaded Congress to eliminate the regulatory middle man and let Hollywood monitor its own content...

Author: /time Magazine | Title: What Jack Valenti Did for Hollywood | 4/27/2007 | See Source »

...know, I invented a ratings system," he told the Hollywood Reporter just before he retired in 2004, "which understood two things: One, the First Amendment reigns. Freedom of speech. Freedom of content. The director is free to make any movie he wants to make and not have to cut a millimeter of it. But freedom without responsibility is anarchy. The director will know he can do that, but some of his films may be restricted from viewing by children. Now I thought that was a balancing of the moral compact. It'll be 36 years old in November. Very...

Author: /time Magazine | Title: What Jack Valenti Did for Hollywood | 4/27/2007 | See Source »

...prejudice the MPAA showed in favor of major-studio product and against the more adventurous indies. Francis Coppola once said that all of modern cinema, from art films to blockbusters, uses only about 5% of the medium's potential artistic vocabulary. We may need another revolution - not of content but of the means of distribution - to allow filmmakers to explore the other...

Author: /time Magazine | Title: What Jack Valenti Did for Hollywood | 4/27/2007 | See Source »

...defending the studios' ownership of intellectual content, he took another flight into verbal fancy. "Nothing of value is free," he declared. "It is very easy... to convince people that it is in their best interest to give away somebody else's property for nothing, but even the most guileless among us know that this is a cave of illusion where common sense is lured and then quietly strangled...

Author: /time Magazine | Title: What Jack Valenti Did for Hollywood | 4/27/2007 | See Source »

...Hofstadter originally expected to publish the book as a rehash of “Gödel, Escher, Bach,” but right in line with the theme of self-reference, the experience of writing this book effected major changes in its aims and content, and we as intimate readers are privy to that fact. Hofstadter has had the time to write and rewrite this book until it stands alone perfectly...

Author: By Benjamin C. Burns, CONTRIBUTING WRITER | Title: A Reflection on The Loopy Self | 4/27/2007 | See Source »

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