Word: contents
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Dates: during 1920-1929
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...into a many-tonned ladle. Filled to its brim and slobbering over, the ladle is moved along over a train of flatcars in which ingot-molds stand up some seven feet from the car-floors. From mold to mold the ladle hastens, filling each with its white-hot content. When the ladle has gone the length of the train, the row of ingot-molds glow in the darkness like monuments of hardened fire. Thus steel to the steelworker. But to the steel-tycoon, to U. S. business & finance in general, it is gold that melts in the furnace and earnings...
Mystery Square. The original idea was to dramatize Robert Louis Stevenson's eerie tale, The Suicide Club. But the authors evidently were not content to use the device of building crescendo by the steady growth of suspense, so they introduced shrieks, hysterics, faints, shots in the dark. The result is a conventional thriller which Stevenson, were he in the habit of haunting Broadway, would never recognize. The cast is competent enough, especially Gavin Muir, Hubert Druce and Marie Adels, but the general result is more mysterious than was intended...
...production. Last year he had six successes on the London stage, and in New York The Sign of the Leopard. In the spring, when only four of his plays were running simultaneously, he gave a banquet at the Savoy for his theatrical employes, and his guests numbered 590. Not content with writing the plays and entertaining the players, he has latterly become his own producer and designer of scenes-all this being a development of the last three years. Readers of the morning papers are more accustomed to him as dramatic critic; readers of the evening papers depend...
...reflection on this spring's production to look askance on the Amusing, tuneful, pleasing, all the stock terms of reviewers may apply justly to it; but its content can be no more than training. If this field is to be the future one of the Dramtic Club, it must give up a position once unique and enter into competition with the annual plays, definitely billed as "shows", of the Hasty Pudding and the Pi Eta Clubs. They have filled adequately in the past the place of light stagecraft at Harvard; the Dramatic Club is becoming a somewhat superfluous third person...
Several of the early dwellers on this spot were not content with their condition in the new land. Still more religious freedom than they enjoyed was their goal and they moved out with the first pastor. Thomas Hooker. More grazing territory for their cattle, and a plan of keeping the Dutch out of Connecticut was their excuse for moving to Hartford, but a more vital purpose lay within. Nevertheless, others moved in to fill the vacant places, and the houses on this particular area remained inhabited. These were, in turn, handed down in the family, sold to strangers...