Word: contents
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Dates: during 1960-1969
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Despite differences in content. Griffith's dramatic vision agrees intriguingly with Hawthorne's. He uses apparently straight moral romances to express unsettling notions of behavior. Characters embody not simple virtues and vices, but complex obsessions: the marquis of Orphans of the Storm personifies the insanity of decadence as surely as Hawthorne's Chillingworth contains the full perversity of hellish guilt. At the roots of his complex plot construction lie details quite at odds with the pure sentiments to which his characters aspire. His films form an elaborate psychological autobiography through the diverse characters between whom they alternate...
...impossible, if performed a second time, seems mere repetition. Thus millions of Americans were content to sleep through the Apollo 12's landing on the moon. They missed a diverting incident. The Apollo 12, with a price tag of roughly $375 million, represents a refinement of hundreds of years of scientific experiment and theory, the most intricate hardware of a technological civilization. Yet when the television camera fritzed out on the lunar surface, Astronaut Alan Bean had a moment of atavism. Like any other 20th century man confronted by the perversity of nonfunctioning machines, he whacked it with...
...brains of manganese-poisoned miners had suffered chemical changes. He tried a chemical treatment. "It proved to be wrong," says the ebullient and totally unabashed Cotzias. Working on the analogous symptoms in parkinsonism at Brookhaven, he tried another drug treatment. This involved efforts to raise the brain's content of melanin, the pigment in suntanned skin. "Wrong again!" declares Cotzias, with the energy of a small volcano. "The patient's skin got darker, but the tremor got worse...
...Government has drawn on its stockpile and has begun allocating 9,000,000 lbs. of nickel for defense use. The U.S. may be forced to look for a shiny substitute for the metal that goes into dimes and quarters and makes up 25% of the content of nickels. Thefts of nickel from private warehouses have become common. Manufacturers in civilian markets are in a constant scramble for nickel, some of them patronizing a black market and paying as much as $9 a pound. Small businessmen have taken the hardest beating; they did not have the capital to lay in large...
WHAT SUSTAINS the sequence and the film, unifying them and making them continuous, is a sense of violent personal action. Even the most confusing tracks are extremely dynamic, Renoir's cutting presents a rapid series of events whose emotional strength and content vary widely. Renoir cuts into close-up, shoving the character's half-dark faces into ours; he cuts away to hold them in long shot for extended scenes. But always his characters are acting, pushing, crying out, confused but vital...