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Word: contents (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...much-heralded mid-life transition, or midlife crisis as more sensationalist authors would have it. What does it all mean?, why have I been working on this task all this time?, am I content with the choices I have made?, can I read Camus?, often plague a man in this time of reappraisal and redirection...

Author: By Eric B. Fried, | Title: It's Just This Crazy Phase I'm Going Through | 5/17/1978 | See Source »

...Content...

Author: By Joanne L. Kenen, | Title: Vorenberg Not Chosen UMass President | 5/17/1978 | See Source »

...convey thematic elements. A film may be intelligently written and acted, he says, but it does not qualify as a work of cinematic art unless all components are integrated. Likewise, a technically brilliant film cannot be cinematic art unless all the devices are used in support of the content and ideas...

Author: By David B. Edelstein, | Title: Vladimir Petric Teaches Film | 5/15/1978 | See Source »

...characterizes her as "an interesting but unimportant filmmaker, a kind of Jacqueline Susanne of the cinema" who "entertains bourgeoise intellectuals on a slightly higher level than junk. In Seven Beauties the cinematic structure and forms that she chose don't correspond to the narrative and ideological substance. That content is superficially conceived she treated the dramatic concept without artistic depth." He then points out that we have reached an impasse--the only way to resolve the difference of opinion would be "to undertake a close analysis of the film. We would have to clarify the distinctions in the script, dialogue...

Author: By David B. Edelstein, | Title: Vladimir Petric Teaches Film | 5/15/1978 | See Source »

...draws a diagram to illustrate his points. On one side is narrative content, and on the other cinematic technique. In the center is the integration: art to convey a message. He places Annie Hall on the narrative content side (he considers the film cinematically inept), and Jaws on the side of good cinematic technique with trivial content. Neither bridges the gap the way Welles' Touch of Evil, superficially seen as a lurid melodrama, does, creating a broader cinematic metaphor. He gives Annie Hall a grade of B-, Jaws a D. So much for my favorite films...

Author: By David B. Edelstein, | Title: Vladimir Petric Teaches Film | 5/15/1978 | See Source »

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