Word: context
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Dates: during 1990-1999
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...work after 1914. Actually, Bellows was given to sudden shifts of style, but as the art historian Michael Quick points out in the show's useful catalog, his response to the transatlantic avant-garde was to get interested in theory, a fact that "removes Bellows from the Ashcan School context and places him among the modernist painters of his generation...
What Hughes makes clear to us at the outset is that, like most any other city, Barcelona is made legible only in the context of its past. And the easiest access to the past is inscribed in the city's profoundly variegated architecture. "The political and economic history of Barcelona," Hughes writes, "is written all over its plan and building." From the small Roman colony known as Barcino founded circa 15 A.D., to the present Olympic-banner festooned metropolis, Hughes carefully recovers the past through an anecdote-laced archaeology. What surfaces is a sense of Barcelona, and the region known...
...Hughes crafts from the most basis elements of the city--its buildings--arrives in the sensual pleasure of the writing. He takes on the architecture of the Eixample (the enlargement of the city which occurred in the ninteenth century--like Domenech and Gaudi--are never separated from the cultural context of Catalan modernisme and the anarchists' movements...
...understand Bill Clinton better, TIME contributor Garry Wills decided to look past the Democratic presidential nominee's national persona and examine him in the context of the idiosyncratic state he has governed for 12 years. Wills, a distinguished historian and journalist, made two circuits of Arkansas, driving from Hope in the south through Hot Springs and Little Rock to Fayetteville in the north. He talked not only to Clinton but also to the candidate's friends, relatives and neighbors, and he soaked up the landscape that produced the man. "I think the rest of the country has trouble understanding Southerners...
...plunder to St. Mark's, the Arab rulers symbolized their victory over the Christian infidel by taking bells from church spires and converting them into mosque lamps. The most impressive single work of sculpture in the show, the 11th century Pisa griffin, is so hybrid that without a context, scholars seem unable to decide where it comes from -- or even whether it is from al-Andalus at all. It may equally well be Egyptian, North African or Iranian, though the Pisans themselves (who installed it on the facade of their cathedral) believed it was war booty from their conquest...