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...Context...

Author: By Zachary R. Mider and Daniel P. Mosteller, CRIMSON STAFF WRITERSS | Title: Curricula Wars: Are We Learning The Rest of the Story? | 2/2/2000 | See Source »

Conservatives and states' rights activists need not fear the VAWA; it is not an attempt to open the floodgates of federal legislation of intrastate economic activity. Rather, when viewed in its all-important context, it is simply a legitimate attempt to address an issue of interstate commerce and correct an admitted violation of equal protection across the states...

Author: NO WRITER ATTRIBUTED | Title: Letters | 1/24/2000 | See Source »

...Although the action of the film is Fred's story, his "rise" to being a successful execution technologist and his "fall" to being discredited, poor, and alone, the force at work the surface is thematic examination of the man's character, and what that character represents in a broader context. "I think the central idea is influenced by Nabokov, who probably more than anyone else conceived this idea of the self-deceived, clueless narrator. Think of Pale Fire and Lolita. These are narrators who have no idea whatsoever of what's going on. Fred is certainly an example of that...

Author: By Dan L. Wagner, CRIMSON STAFF WRITER | Title: Executioner's Song: Portrait of the Artist | 1/14/2000 | See Source »

...been accomplished to greater and (usually) lesser effect in the past, so this movie's opening scene, which involves a small boy sitting at a kitchen table and staging a battle with toy soldiers and ketchup, was cause for some concern. Just as quickly as this context has been established, though, the boy flies through time and space, a la Alice in Wonderland, to the opening historical scene of the play, set in a coliseum. As the film goes on, the boy becomes as the eyes of the audience, observing the action with minimal emotion...

Author: By Dan L. Wagner, CRIMSON STAFF WRITER | Title: Taymor's Tricky Titus a Triumph | 1/14/2000 | See Source »

...first great black role in English drama. His character, which could easily be seen as a simply embodiment of evil, is motivated first by his status as an outsider, and then by pride and paternal love. The racial issues in the play, especially in the violent and ahistorical context of this film, have great contemporary resonance...

Author: By Dan L. Wagner, CRIMSON STAFF WRITER | Title: Taymor's Tricky Titus a Triumph | 1/14/2000 | See Source »

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