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Great candidates are crucial because the Executive Director position is critical to PBHA. Although the article quotes me as saying "it doesn't have a really big impact right now," my point, when taken in full context, was that an Executive Director must be mindful of the healthy sense of autonomy PBHA student leaders enjoy exercising...
...regarding the housing assignment process with this kind of ambivalence, we limit the role of the upperclass House to a physical presence which exists for the sake of convenience. This should not be the case. Houses, especially in the University context, are supposed to transcend their mere physical presence by promoting a more cohesive sense of community and interaction. We are no strangers to this theme; it was, after all, repeated again and again at the race forum held last week...
...sidetracked, Clinton calls his lawyers constantly, the intense voice unmistakable. What surprises his lawyers at the other end of the line is the way Clinton jumps into the conversation as if in midsentence: explaining the latest piece to emerge from the grand jury or the deposition, putting it in context, dissecting its implication. Last Thursday the President was hyperventilating about a minor Associated Press story that suggested a Kenneth Starr Whitewater witness might be financially connected to the archconservative Pittsburgh philanthropist Richard Mellon Scaife. "The President is completely and totally obsessed with the intricate details of the story...
...cause. But she was prepared to put her private self on view, and, once it was all out in the open, refused ever to back down from her stance or to try to hide what she was. Cline, in placing Hall in her larger cultural and literary context, has also succeeded in showing us what an extraordinary act of courage it was for this women, at this time, to make the choice she did. The book is a difficult one, and it does not succeed on all levels. But in this at least it mirrors its subject: the life...
...Afro-Cuban flavor permeates Rubalcaba's playing, placing his virtuoso stylings in an effective and distinctive context. This world music influence is most evident on the Spanish-style waltz "La Pasionaria," but is apparent throughout the album's six tracks. Often there is a dance-like and regular feel to his solo lines, accompanied by percussive comping; other times he will simply transplant wholly Cuban figures into his improvisations...