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...songs including "You Shall See" and "Recipe," G. Love's trademark half-rapping, half-singing vocals are placed in the effective context of simple riffs and catchy choruses, propelled by the tight and punchy playing of the Special Sauce. This was the formula for the first, self-titled album, in which the dynamic accompaniment of the band made G. Love's purposefully languid vocal delivery and sloppy guitar work distinctively compelling, rather than simply ridiculous sounding. "You Shall See" has the live, acoustic instrumentation that made the first two albums so novel-- a sound that is sadly almost absent from...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: Defying Genre No Longer a Novelty for G. Love | 11/7/1997 | See Source »

...father is Louis Batiste (Samuel L. Jackson, who also produced the film), a moderately successful colored doctor releated to the isolated Louisiana bayou. It is the who must die, yet to view the story in the context of the inevitable death does an injustice to the film. There are larger forces at work and greater issues that elevate the film above the presupposed tragedy...

Author: By Jeremy J. Ross, CONTRIBUTING WRITER | Title: Eve's Bayou' Blends Mystery, Voodoo, Sex | 11/7/1997 | See Source »

Centralizing hate groups onto one site and providing a critical context is the foundation of Goldman's endeavor...

Author: By Elizabeth S. Zuckerman, CRIMSON STAFF WRITER | Title: Library Assistant Makes Hobby of Tracking Internet Hate Speech | 11/6/1997 | See Source »

...didn't want it to defer to the town architecture, but he did want it to chime with other aspects of Bilbao, particularly its industrial landscape: to commemorate its former power and presence. All along the Nervion are shipbuilding yards, loading docks, cranes, massive obsolete warehouses--the kind of context that not only Gehry but also some of the artists he is closest to, like the sculptor Richard Serra, love. Disregarded, blue-collar beauty. The rusty pecs of Basque industrial capitalism. Seen from the far side of the river, the museum does indeed evoke a vast metal ship, full...

Author: /time Magazine | Title: ARCHITECTURE: Getty Center and Guggenheim Museum in Bilbao: | 11/3/1997 | See Source »

...stress--or downplay--the ridiculousness of the melodramatic excesses, and perhaps place them in a contemporary context, this production frames the dramatic action with a rather broad poke at the modern media fascination with violence and sensationalism (a la Natural Born Killers). Viewers with weak stomachs have little to fear, however: the visual representation of the violence and bloodshed is quite restrained, consisting mainly of several sparing patches of blood and one remarkably fake-looking severed hand. Perhaps as an appeal to the spirit of Halloween, a lot of the physical pain the various characters inflict on each other takes...

Author: By Lynn Y. Lee, CRIMSON STAFF WRITER | Title: Eerie 'Titus' Ushers in Halloween at Adams | 10/31/1997 | See Source »

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