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...this album doesn't beat the hell out of say, Bridges to Babylon, but these babies can't trompe le monde forever. The whole thing just makes me want to listen to their five albums in succession, where the songs are safe and happy in their original context. Part of the reason why neither disc of this set works is that many of the songs work best within their albums' genre. Trompe le Monde, a very punky and loud album, doesn't mix well with Bossanova, full of surf music about aliens, or the southwest-influenced Surfer Rosa. The Pixies...

Author: By Whitney K. Bryant, CRIMSON STAFF WRITER | Title: 'Death' to the Pixies' Record Executives | 10/24/1997 | See Source »

...been ignored. The only problem is that this position will displace one of the visiting professorships allotted to the Committee on Ethnic Studies--one of the few instruments backed by the Administration which brings to Harvard a diverse group of scholars interested in race and ethnicity within an American context...

Author: By Gonzalo C. Martinez, | Title: Lip Service to Ethnic Studies | 10/14/1997 | See Source »

...swoops through parks and over avenues, and sneaks into an old brownstone where, in an upstairs bedroom, a woman dies while giving birth. Sustained opening shots can be empty gimmicks (anyone see The Bird-cage?), but Jerzy Zielinski's vivid camera-work shifts moods so subtly in each new context that, within minutes, the various textures of Old New York--from public pageantry to private grief--are established...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: An Heiress Comes Into Her Own | 10/10/1997 | See Source »

...protect the victims of sexual assault from mistreatment in the courtroom, but why should Marv's past conduct have been subject to the closest scrutiny, while Perhach's character history have remained off-limits? Perhach is not a minor, and she admits that the alleged assault occurred in the context of a consentual encounter. Neither of these facts excuses an assault if one occurred, but both parties deserve a mature examination...

Author: By Noah Oppenheim, | Title: BUT, MARV WILL BE IN TEMPLE | 10/10/1997 | See Source »

...albums range from wildly complex jazz to spaced-out noodling to bubbling funk, Miles' trumpet remains the sole constant. The beautiful melodies, brilliant timing and phrasing that his fans loved never goes away, it's just in a changed context. On the albums, it is the horn that stays the same--a steady reminder that Miles was not going to leave anything he'd learned behind...

Author: By Josiah J. Madigan, CONTRIBUTING WRITER | Title: Kind of Blue And Very Live | 10/10/1997 | See Source »

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