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...movies it must be played either with the film equivalent of Berger's fastidious prose-Ordinary People in apocalyptic dead pan-or with the cauterizing fury of a Bunuel satire. A ham-fisted director like John G. Avildsen (Rocky) need not have applied. Nor were Bill Conti's services required: his score sounds like a Spike Jones symphony of klaxons, sassy trombones, Bronx-cheer kazoos and the Hallelujah Chorus. John Belushi and Dan Aykroyd maneuver through this minefield on literal flat feet, turning the Blues Brothers into the Two Stooges. Go back to Saturday Night Live, guys...

Author: /time Magazine | Title: Cinema: Two Stooges | 1/18/1982 | See Source »

...originally played on the stage by Tom Conti, an actor of great vulnerability-not a victim, surely, but a less abrasive individual than the film's Richard Dreyfuss, and someone who could more readily be imagined preferring death to a life of immobility and dependence. Dreyfuss, by contrast, seems to bustle while flat on his back, and it is almost impossible to believe that in the end he would not opt for life, however constricted it might...

Author: /time Magazine | Title: Cinema: Right Spirit, Wrong Cause | 12/14/1981 | See Source »

...convert a movie audience-typically composed of individuals lost in private fantasies-into a sports crowd, in which singular preoccupations are submerged in communal joy as the home team is cheered on to a transcendence everyone shares. With Pelé doing wondrous tricks on field, and Bill Conti's huge score blasting away underneath John Huston's superb blending of game action with the stadium's increasingly delirious response to it, Victory achieves its goal. Anyone who does not find himself yelling along with the extras should probably have stayed home with his Proust and bitters...

Author: /time Magazine | Title: Cinema: Winning Points | 8/3/1981 | See Source »

...Chase, Conti and Keith are one-man bands strutting their magnetic stuff; but it is in ensemble work that the London stage shines. In directing Nicholas Nickleby, Trevor Nunn juggled 43 actors in 138 speaking parts to create the propulsive bustle of Dickens' London. Now he and Choreographer Gillian Lynne have brought an informed anarchy to Andrew Lloyd Webber's musical settings for T.S. Eliot's exercise in whimsy and social satire, Old Possum's Book of Practical Cats. When it appeared in 1939, Practical Cats comprised 14 poems; Valerie Eliot, the poet's widow...

Author: /time Magazine | Title: Theater: Going to London to See the Queen? | 6/22/1981 | See Source »

...NOTEBOOK: Jamie Conti scored six goals to lead the j.v. squad to an 11-2 win in the second game...

Author: NO WRITER ATTRIBUTED | Title: Laxwomen Win 5th, Dump Eagles 12-2 | 4/2/1981 | See Source »

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