Word: contract
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Dates: during 1950-1959
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Pressure. Last week the automakers countered by putting on more pressure for an immediate two-year extension of the current contracts. They warned that some 600,000 U.A.W. members covered by the Big Three contracts will not get their annual 2½% wage boost (averaging 7?an hour) and cost-of-living hike (averaging 2?), due on June 1, unless and until the union signs a contract. In the past, whenever the U.A.W. won a raise, the companies also raised nonunion and salaried employees the same amount. This week the Big Three automakers gave 2½% wage boosts and cost...
Meat Cutters Union, which had made no move to organize clerks, offer it an exclusive contract on "sweetheart" terms. In return for the right to collect dues from the captive thousands of A. & P. clerks, the butchers' union signed a 22-month contract committing the employees to work 45 hours a week. A month later, in return for some minor concessions on welfare benefits, the local boss of the butchers, Max Block, secretly agreed to extend the contract for 33 months longer, still at the old hours...
Calculating that the A. & P. saved $2,000,000 to $12 million a year during each year the contract was in effect over what its competitors were paying their help, Committee Chairman John L. McClellan last week called Schimmat's conduct "reprehensible."' Other committee Democrats, restive over being cast in the role of labor critics in McClellan investigations, vehemently agreed. Said North Carolina's Democrat Sam J. Ervin Jr.: "Those clerks were sold down the river...
...days, the firemen blew a whistle on the strike. The ailing U.S. railroads (see BUSINESS), which in 1956 withdrew a demand for the right to drop firemen so that the battle could be fought out in Canada, may be expected to follow C.P.R.'s lead when the union contract runs...
While gleefully making enemies, all of Caesar's gall was lavished on a stubborn fight for the rights of musicians against mechanization. He fathered the union contract that requires network stations to hire a quota of "live" musicians whether they ever tootle a note or not. In 1951 he removed one major obstacle to the release of old films to TV by approving the project, provided that the studios 1) rescored the films (i.e., started from scratch with union musicians), and 2) paid 5% of TV profits into the Music Performance Trust Fund. He scored his biggest victory over...