Word: contract
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Dates: during 2000-2009
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Established in 1933, SAG arrived at a time when actors were to Hollywood studios what cattle are to ranchers: they were bound to multi-year, exclusive contracts, unable to choose their own films, their own career paths or, in some cases, their own relationships. Actors were essentially the studios' property, and anyone who dared protest - Bette Davis and Olivia de Havilland, for example - was suspended, effectively blacklisted for a time. The first SAG-studio contract was signed in 1937, but it was only following the Supreme Court's 1948 anti-trust decision against Paramount Studios, which broke the studio monopoly...
...were now free agents, but they had many more battles to wage. The advent of television posed a new problem, since networks could re-run episodes without paying actors for the repeated use of their performances. In 1952, SAG both held its first strike and negotiated its first residuals contract, allowing for small payments to actors whenever a show they appeared in was rerun. Over the years, the issue of residuals popped up again and again. In 1957, SAG signed a contract covering payments to actors who starred in films that were aired on TV. In 1974, the Guild negotiated...
...relative calm following eight days of rioting by outraged youths, French officials were moving to placate protesting students amid rising fears that violence could break out across France. Given the defiant nature of French student protests over the years - including weeks of violent demonstrations over a new youth labor contract in 2006 - concern is growing in France that the dismal economic outlook could push the current anti-reform protests into the kind of wild insurrection that has rocked Greece...
...unrest in 2006 centered on a new youth labor contract that detractors claimed handed an unfair advantage to employers. The government ultimately capitulated on the scheme, one of more than two dozen such victories French students have claimed since 2000. But while the majority of those victories came after peaceful demonstrations, France has a history of protest turning violent?student and otherwise. Some observers say the situation today is particularly volatile and unpredictable. "As in Greece and many European countries, the unions, opposition parties, and associations that usually take youth movements under their wing and organize protests in France...
...Dorsky says. The absence of any sound at all erases what seems to be, for him, an extraneous context that limits the viewer’s ability to become a part of the experience. “Spatially, you can torque the film in a muscular way—contract, expand, release—in a way that’s in tune with the psyche.” Dorsky says, referring to silent films. Unlike his influences Dziga Vertov and Bruce Conner, whose work veered into social and political commentary, Dorsky seems more concerned with the level to which...