Word: contralto
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Dates: during 1930-1939
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...little less than kin to Du Barry, she is more than kind-makes her, in fact, the most likable royal trollop that ever pranced behind footlights. More of an 18th-Century tomboy than a glamor girl, Merman booms and torches away in her train-announcer's contralto, jouncing her personality all over the stage, giving the King the oo-la-lahr, then (in a glorious whirlwind finish) snapping back to Broadway to sing Friendship and Katie Went to Haiti...
...Ventriloquist Edgar Bergen, the Chase and Sanborn Hour traditionally has the ear of perhaps a third of the nation, largest radio audience in the U. S. But Charlie appears only twice (a total of about 15 minutes) during the hour: the rest is usually orchestra music, songs by Contralto Dorothy Lamour and Baritone Donald Dickson, effervescences by guest stars and a master of ceremonies. Between Charlie's turns at the mike, the interest of his vast audience wavers. Many tune in on other programs, others mix drinks, woolgather, miss commercials until Charlie returns...
...viola is in nature an undersized pansy. In art it is an oversized violin with a tubby, whiskey-contralto voice. Except for low-moaning the inner voices of symphonies and string quartets, it is not good for much. Most of the time it merely plays pah to the cello's oom. Most of the people who pull horsehair bows over its goatgut strings are ex-violinists who failed to make the grade...
...proscenium at Manhattan's Metropolitan while more gifted Negro singers, by long-standing custom, were excluded. But in the field of concert singing Negroes like Roland Hayes and Paul Robeson have held their own with the best. Today's most famous Negro singer is soft-spoken Contralto Marian Anderson, whose big, warm-blooded voice is conceded to be one of the world's finest. Last summer at the tony Berkshire Festival near Stockbridge, Mass., another remarkable Negro voice! this time a soprano, threatened to claim a share of Contralto Anderson's laurels. The voice was Dorothy...
Probably never had a better singing cast performed it: the Metropolitan Opera's Tenor Charles Kullmann and Soprano Hilda Burke in the leads, Contralto Anna Kaskas as the housekeeper, cadaverous Singer-Actor Richard Hale as broken hearted Jester Jack Point...