Word: contralto
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...Goldenberg in the main roles. Terry plays Ruth--the dumpy, in tellectual brunette--with zest and comic flair, displaying the versatility of a comedienne in her rendering of numbers like "Ruth's Story Vignettes," in which she portrays the various repressed heroines of her own short stories. Her dramatic contralto invests "A Sure Way"--the still apt lament of the overly intelligent and therefore "unfeminine" woman--with just the right touch of cynicism...
Racism and Greed. If ever pop music claimed a child prodigy, it was young Gladys Knight. When she was four, her eager contralto, frequently on key, resonated through the adult ranks of Atlanta's Mt. Moriah Baptist Church choir. Three years later she won the $2,000 first prize on Ted Mack's Original Amateur Hour with a humid rendition of Too Young. When another cousin, James ("Pip") Wood heard Gladys and the boys sing, he encouraged them to turn professional and gave them his nickname. In 1954 they were booked into Atlanta's Royal Peacock Supper...
...kept good company. Verrett, singing her first bel canto opera at the Met, was emphatic and secure as Neocle. It is a so-called pants role, written originally by Rossini for contralto, but later rescored for tenor in deference to the historic Parisian insistence that men are men and women are women. Today, the role could be sung by either tenor or contralto. The female version is more elaborate, and Conductor Schippers prefers it. Decked out in armor and an elegant Zachary Scott mustache, Verrett moved enough like a man to make the impersonation halfway acceptable. Hers...
...Westerners ever fathomed the appeal of Umm Kulthum, the buxom, handkerchief-waving Egyptian singer who was known to her Middle Eastern fans as "the Nightingale of the Nile." She had a stentorian contralto and a quavering wail that grated on the ears of those attuned to the trills of opera divas. But her voice was a near-perfect instrument for expressing the sinuous quarter tones of Arabic music...
...Harvard-Radcliffe Orchestra, James Yannatos, Conductor; with Maureen Forrester, contralto. Beethoven: Symphony No. 5, Ives: Three Places in New England, Mahler: Songs of a Wayfarer, Mozart: Non Piu di Flore. Nov. 8 at 8:30. Admission...