Word: contraltos
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...have ever satisfied the connoisseurs. Most great Lieder singers are specialists. Greatest of them in recent years have been: i) Dr. Ludwig Wüllner, who started life as a professor of philology in Münster, toured the U. S. in 1908-10; 2) Julia Gulp, a Dutch contralto (originally a violinist as well as a singer), who visited the U. S. in 1913; and 3) Elena Gerhardt, a pupil of the late great Conductor Artur Nikisch, who came...
...three months, made her U. S. debut in II Trovatore (Leonore). Nicola Moscona, Greek basso, attracted the whole Greek colony to his Ramfis (Aïda). Sturdy American Baritone John Charles Thomas (Germont) saved a Traviata (with Vina Bovy and Nino Martini) from absolute mediocrity; dependable molasses-voiced Contralto Bruna Castagna (always affectionately regarded by Manhattan operagoers who knew her when she sang at the lowly Hippodrome) saved at least three operas (Samson et Dalila, II Trovatore, Norma) from a similar fate...
...starless cast of the Salzburg Guild included: pretty Soprano Margarethe Menzel, 24, who once played the piano in a Viennese ladies' orchestra; pretty Contralto Hertha Glatz, 27, who has sung with the San Francisco Symphony; pretty Coloratura Soprano Marisa Merlo. so flip on the stage that audiences might not guess that she once nearly got herself to a nunnery; roly-poly Basso Alfred Hollander, once of the able German Theatre in Brunn, Czechoslovakia; Baritone Leo Weith, who sang the title role in the world premiere of Schwanda der Dudelsackpfeifer; Tenor Franco Perulli, onetime protege of Tenor Tito Schipa...
...catboat full of roisters, flown with insolence and wine, had rammed him at anchor one moonlight night in Newport harbor. He burned a little, thinking of the language he'd used at them, and then smiled at the recollection of the derisive answer he'd got from a sharp contralto voice on the cat: and how he'd asked them to come aboard for forgiveness and more refreshments. He thought how foolish it had been to waste so much time in Hawaii, when so much time could be made at home in New England...
...mere fraternity, the G.O.A.A.A. was formed by a German-born contralto named Elizabeth Hoeppel, onetime of the Chicago opera, who among other things wanted the U. S. Government to provide more relief for jobless singers. Contralto Hoeppel's union offered little to the Tibbetts and Swarthouts of the musical world. It appealed to the modestly-paid singers of troupes like the touring San Carlo Opera and Manhattan's Hippodrome company; it signed up 280 of these, got them a closed shop and a $40-a-week minimum wage. In the Metropolitan Opera, whose best singers are also...