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Word: contrast (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...depression. In contrast to F.D.R., Eisenhower rejected the New Deal doctrine that Government should move further toward direction of the economy...

Author: /time Magazine | Title: THE ECONOMY: Environment for Prosperity | 2/8/1954 | See Source »

...economic report sent to Congress last week, President Eisenhower moved into a large area of political philosophy between Herbert Hoover and Franklin Roosevelt.- In contrast to Hoover, Eisenhower accepted Government responsibility for effective methods to keep...

Author: /time Magazine | Title: THE ECONOMY: Environment for Prosperity | 2/8/1954 | See Source »

...networks, CBS is unquestionably the outstanding friend of the working girl. CBS has four shows devoted exclusively to the trials and tribulations of three secretaries and a schoolteacher. But, in refreshing contrast to real life, the girls are seldom asked to do much work. On Private Secretary, blonde Cinemactress Ann Sothern occasionally pecks at a typewriter, but mostly she is shown trading wisecracks with her boss (Don Porter), getting mink and sable coats from the firm's clients or having her superior business acumen vindicated (dumb as the girls are, they are all far brighter than...

Author: /time Magazine | Title: Radio: The Working Girls | 2/8/1954 | See Source »

Ondine, though, is not a monologue, and Miss Hepburn's co-star, Mcl Ferrer is also quite good. At first a bit wooden and seemingly nervous, he becomes more involved in his part by the second act, and dominates the third. In deliberate contrast to Ondine's flighty movement, Ferrer's Hans-the knight-is static. Unfortunately he carries his set posture over into scenes in which he could, in the absence of Miss Hepburn, lend force to the action...

Author: By Robert J. Schoenberg, | Title: Ondine | 2/4/1954 | See Source »

...agonized attempts to keep a grip on his emotions, Greenwald's rigid determination to put a hood over his conscience. As Queeg, Lloyd Nolan plays brilliantly, is as self-revealing when still in control as when losing control. Henry Fonda's sober courtroom Greenwald is in fine contrast both to Queeg and to Greenwald drunk. The whole cast, from John Hodiak's Maryk on, is admirable: out of the stylized nature of the court-martial has been forged just the right style for a theater piece...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Feb. 1, 1954 | 2/1/1954 | See Source »

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