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...protagonist, and this is where the movie falls apart. Peter Gibbons—the programming anti-hero of “Office Space”—worked as a character because his depression and desperation perfectly highlighted the suffocating workplace tedium in which he lived. Joel, by contrast, simply comes off as whiny; there seems to be a gaping disconnect between his actual problems and his emotional priorities. As his company barrels toward financial ruin, Joel’s complaints about his lackluster sex life seem utterly removed from anything that should matter. The real dissatisfaction comes...

Author: By Jessica O Matthews, CRIMSON STAFF WRITER | Title: Extract | 9/10/2009 | See Source »

...loose / He’s five foot seven / A legend was born / Russel Ason Jones / I know him for his braids and lessons,” raps Kwon almost breathlessly over J. Dilla’s soulful beat.More often, though, Raekwon’s smooth tenor creates a sensational contrast to his narrative persona; Chef Raekwon derives the first part of his name for his skills in cooking crack, and his raps are generally vignettes portraying the ultra-violence of the streets and the drug trade. “Fat Lady Sings,” for example, tells the story...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: Raekwon | 9/10/2009 | See Source »

...Officer, the Harvard center will be “differentiated not by the questions they seek to answer, but by the methods they use.” HSPH’s researchers will be focusing on the use of mathematical models to analyze the spread of infectious diseases. In contrast, MIDAS’ other centers have primarily relied on “individual-base models,” which involve finding patterns in tracking an enormous number of individuals. “With a mathematical model, you give up a little realism, but you gain understanding of what?...

Author: By Helen X. Yang, CRIMSON STAFF WRITER | Title: New HSPH Center To Address Flu | 9/9/2009 | See Source »

...origin of the no-white-after-Labor Day rule may be symbolic. In the early 20th century, white was the uniform of choice for Americans well-to-do enough to decamp from their city digs to warmer climes for months at a time: light summer clothing provided a pleasing contrast to drabber urban life. "If you look at any photograph of any city in America in the 1930s, you'll see people in dark clothes," says Scheips, many scurrying to their jobs. By contrast, he adds, the white linen suits and Panama hats at snooty resorts were "a look...

Author: /time Magazine | Title: Why We Can't Wear White After Labor Day | 9/8/2009 | See Source »

...film’s fictionalized diffusing team with a stunning performance as Sergeant First Class William James, a bomb-man with a death wish. The plot, essentially composed of almost journalistic vignettes, traces the ups and downs of everyday soldier life. Even the most banal serves as a suspenseful contrast to ticking bombs and explosions. When James confuses a dead boy’s bomb-strapped body for the young Iraqi kid he’d befriended, his reaction is both sincere and destructive—like no shortage of other situations in Iraq. The movement from the commonplace...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: The Hurt Locker | 9/4/2009 | See Source »

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