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...notoriously difficult to read large amounts of text on an electronic screen, so the Reader comes with a gentle, matte display that doesn't glow or flicker. Its frame rate is extremely slow, and the contrast is weak, but at least it doesn't make you feel as if your retinas were peeling off. If your eyes are weary and feeble from years of abuse, as mine are, you can even hit a button on the Sony Reader to make the text bigger...

Author: /time Magazine | Title: Reading Gets Wired | 5/11/2007 | See Source »

...contrast, Brown, who has been anointed to succeed Blair when he steps down this summer, represents continuity: as Chancellor of the Exchequer, he's been Blair's co-architect and co-executor of British government policy for a decade. His roots are quite unlike Sarkozy's, too: the son of a Scottish Presbyterian minister, Brown so excelled at school that he was accepted into Edinburgh University at the age of 16 and went on to work his way up through the ranks of Britain's Labour Party at a time when it was saddled with socialist dogma...

Author: /time Magazine | Title: Our Time Has Come | 5/10/2007 | See Source »

...contrast, Brown, who, barring any last-minute surprise, will succeed Blair this summer, represents continuity: as Chancellor of the Exchequer, he has steered British government economic policy for the past decade. Brown is unlike Sarkozy in that his ambition has been evident since his youth. The son of a Scottish Presbyterian minister, Brown so excelled at school that he was accepted into the University of Edinburgh at age 16, then worked his way up through the ranks of Britain's Labour Party at a time when it was still saddled with socialist dogma...

Author: /time Magazine | Title: What Europe's New Leaders Could Do | 5/10/2007 | See Source »

...true that he wanted American painting to stop taking its marching orders from France. But he was never the honking cultural isolationist that Thomas Hart Benton became, thundering on about the perversities of European art and the prancing New Yorkers who bought into it. By contrast, Hopper made it to Paris no fewer than three times from 1906 to 1910, and in his work you see the bluntness of Manet, the blue shadows (but not the flittering light effects) of the Impressionists and traces of De Chirico. He had no use for pure abstraction, but the intricate construction...

Author: /time Magazine | Title: Edward Hopper: Man of Mysteries | 5/10/2007 | See Source »

...facilities, maintain a special-operations capability. And then, instead of the usual lip service to training Iraqi forces, she said, "We may also leave some forces to help train the Iraqis if there seems a chance this Iraqi government will get any better. But I'm doubtful about that." Contrast that with, say, John Edwards, who seemed utterly lost when I asked him a similar question a few weeks ago, finally settling on the opposite of Clinton's position. "You'd probably have to leave combat troops in the areas where combat was the greatest," he said...

Author: /time Magazine | Title: Hillary's Quandary on the Campaign | 5/10/2007 | See Source »

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