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...trying to pretend they are real scientists. But there is a fundamental point that needs emphasis: sex and love are two totally different things. Sex is essentially selfish. No matter how it is dressed up, it is really about scratching that biological itch, about satisfying an internal hunger. In contrast, love is essentially selfless. It is about giving to another to the point of pain and even death without thought of reward. Sex and love can exist completely independently. There are many examples of sex without love-rape, prostitution and maybe even regular sex between couples. And you can love...

Author: /time Magazine | Title: Letters | 2/23/2004 | See Source »

...they consistently have machines one-upping humans at their game (the programmed rhythm in “Are You That Somebody,” too inhumanly angular and precise for a real drummer’s arms, being my favorite example) while the actual performers vocalize in stark contrast, like any good pop star. Point being that Tim may have started to run out of new ways to augment his friends. (The latest Missy album speaks to that.) If his well does run dry, it’ll be for the same reason DJ Premier is stuck in a profoundly...

Author: NO WRITER ATTRIBUTED | Title: Has Hip-hop Come to This? | 2/20/2004 | See Source »

...minimalism. “I think Maya’s project, the Vietnam Memorial, is extremely beautiful...but I don’t think it’s about absence. It’s a powerful object,” says Van Valkenburgh. He points out that in contrast, “[Arad]’s initial idea was that the Hudson flowed into these displaced tower voids...

Author: By Brian D. Goldstein, | Title: Remembering and Rebuilding | 2/20/2004 | See Source »

Arad’s design is a simple contrast to the extreme verticality that once marked the WTC site, but Van Valkenburgh says the downward movement of water into the abyss will continue to mark the collapse that made this the site of tragedy. Van Valkenburgh believes the addition of the landscape component has made a compelling idea that much stronger. “What happened for me was when Arad added Peter Walker, he turned the upper level into a place with civic responsibility. I mean it was an austere and mean plaza initially. But Walker made...

Author: By Brian D. Goldstein, | Title: Remembering and Rebuilding | 2/20/2004 | See Source »

...with DJs Jim L. Fingal ’05 and Chris A. Kukstis ’05. In addition to their Eliot house suite, the roommates also share the midnight-2 a.m. timeslot Thursday nights, playing what Jim calls their “dilectic” contrast of emotional post-hardcore/noise (Jim) and pop/indie (Chris). The two switch off sets, changing it up with a peppering of almost-funny banter. They’re fun to listen to and even more fun to hang out with in the studio, as they run in circles “pulling?...

Author: By Robin R. Kachka, CRIMSON STAFF WRITER | Title: WHRB Up All Night | 2/19/2004 | See Source »

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