Word: contrasting
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Dates: during 1960-1969
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RICHARD NIXON conceived his presidency in contrast to Lyndon Johnson's. Nixon won the election partly because he was so successful in the use of cosmetics and electronics. In power he intended to pursue the same course. Johnson was loud, Nixon would be soft. Johnson was secretive and deceptive, Nixon open and candid. Johnson played cronyism while Nixon would seek counsel from friend and foe. Johnson became the symbol of a political manipulator, but Nixon would abandon his old style of partisanship to strike a pose as statesman of all the people. The script said in large letters: AVOID...
...world-view many students seek must be in sharp contrast to the prevailing scientific world-view, which is enshrined in official educational epistemology and exalted in modern society. Today's education breeds the sort of scientific experts who can't abide ambiguity, or anything that won't yield to scientific explanation. There is great need for people to be exactly the opposite...
...further. A policy of intransigence, on the other hand, could lead to massive shutdowns. There was some speculation that Pompidou might have hit upon a middle alternative last week when he suggested that Renault workers be made shareholders in the factory (Charles de Gaulle's "participation" plan, by contrast, offered workers a role in policymaking...
Only Latin America fell behind seriously last year; drought caused a drop of 2% in food output, while population increased by 2%. Developing countries in Africa increased farm production by 2%, while population went up an estimated 2.5%. By contrast, the food-shy developing countries in Asia, where ancient methods of farming are gradually giving way to more efficient cultivation of high-yield strains of rice and wheat, increased their food pro duction by 5% for the second year in a row. The biggest gains were made by Malaysia (11%) and Thailand (8%). In the Western world, the U.S., Canada...
...that which separates Stuart's Flautist from the Black King painted by Hieronymus Bosch. The King is Caspar, the Moorish monarch and one of the Three Magi. He dominates Bosch's Epiphany at the Prado Museum in Madrid. The other Magi kneel to adore Jesus. Caspar, by contrast, stands splendidly erect. He is waiting to offer a silver coffer of myrrh: burial ointment nestled in a symbolic world egg. Within himself, one feels, Caspar holds greater treasures than the one between his calm hands...