Word: contrasts
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Dates: during 1970-1979
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...contrast, supplies of natural gas, which is also widely used for home heating, ran desperately short in recent winters because of an artificial pricing system, but they now appear to be ample...
...with wide screen ratio ideally combine to present the architectural-pictorial aspect of the metropolis. With its metal, stone, dark brick, glass and concrete structures, New York projects a black-and-white vision. Color belongs to San Francisco, Palm Beach, Las Vegas and even Washington, while dark and bright contrast, especially at night, is what makes New York visually the most exciting city in the world...
Many films have used great cities as a "stage" which has been no more than a backdrop, however beautiful, for their action. In contrast, Allen and Willis perceived New York's irresistable dramatic force and succeeded in making it an integral part of their film. Even in the brief montage inserts(i.e., Allen and Keaton sitting under the 59th Street Bridge; Allen running through traffic or playing in the park with his son), the architecture of New York functions as an "emotional ingredient" of the photographed event. Supported by characteristic musical compositions (of which Gershwin's "Rhapsody in Blue...
...morning. The ensuing conversation between Allen and his girlfriend Tracy (Mariel Hemingway) takes place in the bar (Elaine's), composed of a dozen brightly lit medium and close-up shots. then the first long tracking take occurs along the street with Allen and his girlfriend in the foreground; in contrast, this is succeeded by an interior sequence with Keaton and Murphy in their apartment, with several medium shots executed by a panning camera. Again there is a long tracking take with Allen and Hemingway walking through the streets, and turning corners, on a sunny day. An abrupt...
...personal vision of life and art without forsaking the great tradition of the comedy genre. He knows how creatively to employ the new modes discovered by other directors involved in different genres. He flows with the current of contemporary cinematic trends, utilizing all the resources of modern technology. In contrast to Jacques Tati and Pierre Etaix who explore the present potential of silent comedy gags, Allen blazes the trail for a renaissance of sound film comedy. He is rapidly approaching the point when-it is my hope-we will be able to say that Allen is the Chaplin...