Word: controls
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Dates: during 1960-1969
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DETROIT MODERATION Mayor Jerome considered a boy wonder when elected eight years ago, has had enough. "It is misleading, even dangerous, to suppose that a mayor can control the destiny of his city," he says. The nonpartisan race to replace him is not the clear-cut case of black v. white that many outsiders assume. Wayne County Sheriff Roman S. Gribbs, 43, is a moderate who has thoroughly integrated his department, appointed a top Negro deputy, eliminated brutality in a sorry county jail, and avoided simplistic solutions to crime problems. His opponent, County Auditor Richard H. Austin...
...intention to amend the constitution, there were cries of "dictatorship," and Korea's volatile students took to the streets. Most of them supported the more liberal, urban-oriented New Democratic Party, and they feared that Park and his rural-based Democratic Republican Party were trying to perpetuate their control indefinitely. When Park sought approval from the National Assembly to hold a national referendum, the opposition New Democrats seized the speaker's rostrum in the red-carpeted Assembly chamber and refused to yield it through four days of 24-hour debates. Finally, the Democratic Republicans and a few independent...
...pattern of disaster was all too familiar. An F-104G Starfighter, bearing the black formee cross of West Germany's Luftwaffe on its fuselage, was hurtling over the South German foothills toward the Alps last week when it spun out of control. The pilot managed to eject at about 1,000 ft. and landed unhurt in a tree, but his plane plummeted into the black Bavarian soil south of Augsburg. It was the 100th Luftwaffe Starfighter to crash since the Bundeswehr adopted the hot but unforgiving aircraft...
...preoccupations of entire periods of his career. Those that do so the most likeably are the east manipulated. Almost all of Hitchcock's films feel excessively structured, designed to make the audience draw the morals he intends. Only in a few does his subject balance his frightening formal control and let the characters seem real individuals. Hitchcock's audience-manipulation, involving an attitude of superiority toward his viewers, generates the unpleasant feeling that his characters merely illustrate a narrow moral design-Hitchcock's. Only in Shadow of a Doubt, Under Capricorn, and Psycho do they act as whole people. These...
...Freudian notions were no great breakthrough. He merely began to construct his films like popularized case histories. His characters became illustrations of abstract psychological types: his plots became schemes of sexual interrelations. Observation of characters became an unimportant meanse of description; chance mannerisms and incidents disappeared. His formal control increased, but his tendency to neat plotting gave this advance the feeling of excessive design...