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Almodovar says his movies are about the "five essential themes: death, liberty, equality, beauty and, of course, love." Scanning Dark Habits (1983), one finds not love but revenge. It is your basic anticlerical Latin comedy: Reform School Girls set in a convent. The film can be seen as Almodovar's payback for a Catholic education "full of hypocrisy -- you can't learn by being terrorized." But the convent's mother superior isn't kidding when she tells the chanteuse, "My only sin is to love you too much," for that is the only sin and salvation of any Almodovar heroine...
...have dropped the nuns at a convent outside the capital, but the vehicle never arrived, she said...
...mother once said Marianne took to London pop life as if she "had been shot out of a machine gun." Tubercular as a child, she was sent to convent school by her parents after they divorced. She was in her teens when, in 1964, she dropped plans to attend Cambridge University and hit the pop scene. Six years later, she had left Mick Jagger and developed a heavy habit. "I was a registered heroin addict," she says. "I lived on the streets for two years." She went through periods when she managed to reclaim herself, others when she just gave...
...Youth (1982), an admirable memoir of her marriage to the poet John Berryman, was an orphan too, but what she calls a "lucky one." Some luck. When she was eleven months old, her mother succumbed to tuberculosis; her father later put her and her older sister in a Catholic convent school, and she learned at the age of six that he had suddenly died of ptomaine poisoning. Convent life was benign but austere. Three winters in a row she suffered pneumonia so severe that a priest administered Extreme Unction...
...Rome's view, Sister Teresa offered herself as a martyr following the Nazi invasion of the Netherlands in 1940. But it is known she had tried to transfer to a Swiss convent. After her arrest she asked the convent to send her two suitcases of clothes; that indicated ignorance of her fate, according to Sister Marie Louise, a former prioress at Echt. Agrees Pinchas Lapide, a Frankfurt Jewish scholar: "Her death was totally involuntary." Although "in her own mind Edith Stein most probably died for her faith," says Renee Grignon, an official of the French Jewish-Christian Friendship Association...