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...YURI ZARAKHOVICH, TIME Moscow Correspondent Charming Prechistenka Street leads you to the Temple of Christ the Savior, pictured. Emperor Nicolas I ordered a 14th century convent razed in 1837 to build the original cathedral. The Bolsheviks tore it down in 1931, and the site hosted a swimming pool until the cathedral was re-erected in the 1990s. Mull over Russia's vagaries at the National Hotel's Moskovsky Restaurant on Mokhovaya Street, where the fabulous view of the Kremlin complements the traditional Russian food...
...real heart. Go to the Pushkin, the best Russian restaurant in town, pictured. Trust your waiter's taste - and order your vodka straight away. yuri zarakhovich, TIME Moscow correspondent Charming Prechistenka Street leads you to the Temple of Christ the Savior. Emperor Nicolas I ordered a 14th century convent razed in 1837 to build the original cathedral. The Bolsheviks tore it down in 1931, and the site hosted a swimming pool until the cathedral was re-erected in the 1990s. Mull over Russia's vagaries at the National Hotel's Moskovsky Restaurant on Mokhovaya Street, where the fabulous view...
...almost as if the two remote and transporting Himalayan kingdoms have been playing out a fairy tale in which one woman opens her doors to everyone and the other lives like a nun inside a convent. King Gyanendra of Nepal and his Maoist enemies now seem to believe that what Nepalis most need is an infusion of discipline and authority. The people of Bhutan, meanwhile, peer shyly out at a world that fascinates them, in part, through its very chaos. And even as the people of Nepal loudly protest their King's taking of all power into his own hands...
...plot concerns a convent of French nuns on the eve of the Reign of Terror of the French Revolution. The protagonist, Blanche de la Force (Kathy D. Gerlach ’07), struggles with her beliefs, her fellow sisters, her martyrdom, and the impending fate that awaits her and the rest of the Carmelites, as they are sentenced to death in the name of the Republic...
...Aida” to “Tosca,” from “Les Huguenots” to “Andrea Chenier”—this particular work observes the misguided idealism of the French Revolution that sweeps up the Carmelites, a small convent of dedicated and idealistic nuns. “Dialogues” focuses on the uncertainty and vulnerability of the sisters, intensifying their fear and pain with intimate music and unstable melodies and dialogues...