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...Georges (pop. 6,000). Most of his rayon-mill hands-he runs two shifts, 6 a.m. to 2 p.m. and 2 p.m. to 10 p.m.-are daughters of local farmers. About 50 of them live in Le Foyer, a dormitory built as an annex to the Convent of the Sisters of the Good Shepherd. On the first floor of the greystone four-story building are a cafeteria, a recreation room and parlors where the girls can entertain Sunday afternoons and evenings and two or three nights a week. They eat the same food as the nuns-with chicken...

Author: /time Magazine | Title: Canada: QUEBEC: Help Wanted: Female | 5/19/1947 | See Source »

...watch fastened to a long chain and stuck in my belt. Attached to the chain was a silver Child of Mary medal and a ... silver cross, and nobody, not even a native of central Africa, could have failed to recognize in me the typical product of a convent school...

Author: /time Magazine | Title: Books: Sidelong Looks | 3/31/1947 | See Source »

...second story were two more large rooms, one the library, and the other a lecture hall containing the College's "philosophical apparatus," which included such scientific instruments as orreries, telescopes and stuffed birds. In the cupola on the roof was the College bell, brought over from an Italian convent...

Author: NO WRITER ATTRIBUTED | Title: Circling the Square | 3/24/1947 | See Source »

Cardinal Villeneuve, Archbishop of Quebec and top-ranking member of the Roman Catholic hierarchy in Canada, had suffered two heart attacks in six months. A fortnight ago he left Manhattan's Misericordia Hospital for California, hoping to convalesce in a convent at Alhambra. There, around 7 o'clock one morning last week, Msgr. Paul Nicole, the Cardinal's secretary, entered the prelate's room vested for Mass. The Cardinal was sitting before a small altar. The secretary finished the Introit (preliminary to Mass). Then the Cardinal interrupted...

Author: /time Magazine | Title: Canada: QUEBEC: It Is the End | 1/27/1947 | See Source »

Chemically, the Last Slipper had always been a bad risk. The refectory of Milan's convent church of Santa Maria delle Grazie, where Da Vinci painted the jfresco, was damp to start with. To make matters worse, Da Vinci, the eternal experimenter, invented special tempera pigments for the fresco, and they proved to be less durable than those then commonly in use. Even in Da Vinci's own lifetime the Last Supper had begun to fade, and as early as 1556 Art Historian Vasari complained that it had become "a muddle of blots...

Author: /time Magazine | Title: Art: War Casualty | 12/9/1946 | See Source »

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