Word: convey
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Dates: during 1970-1979
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...herself simply calls the book an entertainment. It is that and more, for she proves to be not only spinner of bizarre and hunting fantasy but a sharp social observer as well. Her descriptions of New Zealand suburbanization, of California as public confessional booth, of television and religious fakers convey a reality as urgent as Alice Thumb's creativeschizophrenia. -R.Z. Sheppard...
...evil are presented on equal terms; there is no shift in the narrative voice. In the banality of evil, as Hannah Arendt so well described, lies its horror. The pre-moral eyes of a growing child and the discipline of the poet lend the narrative the detachment needed to convey this banality. The narrator does not judge, but show, weaving the events into a fabric of legend and death...
...shopping malls. She is always honest in her examination of a setting or person. She damns through accuracy, not forceful moral argument. In "Bureaucrats," for example, she perfectly captures officials' self-importance and insularity. Placing contradictory statistics after bureaucrats' fatuous proclamations, she quietly pillories them. But she can nevertheless convey their own sense of misguided sincerity...
...made by the Marx Brothers which were unique in their own way) continued to exploit non-verbal, absurd gags. More contemporaneous comedians such as Jerry Lewis, Peter Sellers and Mel Brooks also rely heavily on verbal puns and physical mise-en-scene, yet still with no attempt made to convey it in cinematic terms. In contrast, Woody Allen has gradually and continously cultivated a singular approach to the comedy genre, stimulating laughter by auditory-visual devices which contribute a unique dimension and meaning to his films. Allen's work, consequently, marks a significant step in the evolution of sound film...
ALLEN'S auteuristic attitude has been apparent in a number of his films: Sleeper, Love and Death, Annie Hall and, especially Interiors. More and more he has been concerned with not only the thematic-interpretive aspect of the film narrative, but also with specific cinematic devices which convey the film's content and message in a cinematic way. Accordingly, Interiors marks the crucial point in Allen's directorial evolution, expressing much of the script's meaning through purely auditory/visual means instead of via dramatic situations, mise-en-scene, dialogue and acting. Like Chaplin (in A Woman of Paris ), Allen...