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...wasting time with polite introductions. The tune starts with bass and drums grooving hard underneath an enchanting slide guitar melody, injecting the tune with a longing sadness. The rest of "Seaside Weekend" seems like an exercise in controlled anger: beneath the carefree melody the chords are dark and help convey the sad regret implicit in the lyrics. The verse is restrained and Buni's vocals do most of the work. But at the chorus, the distortion comes on and the drums become more aggressive as MacDonald and Buni skillfully harmonize...

Author: By John T. Reuland, CONTRIBUTING WRITER | Title: Buttercup Shows Innovation, Reflection With `Love' | 11/7/1997 | See Source »

...stage: the tawniness and black-and-white spots of the animal skins they wear, the flowing white fur of wristlets and anklets flying with their movements, the sharp vertical movement of spears and staves and of the black-and-white geometrical design of the tall shields all convey an energy which is certainly new to Macbeth...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Spectacle Trumps Speech in `Umabatha' | 11/7/1997 | See Source »

...Chuck O'Toole '97 are costumed and made up to resemble a cross between macabre spirits and S&M partygoers--an image reinforced, perhaps overdone, by slinking movements and exaggerated gestures. As their victim, Lavinia, Zimmett grows more like them in her thirst for revenge--which she manages to convey without uttering a word. Interestingly, even in the beginning, Zimmett makes it clear that Lavinia isn't quite the paragon of innocence and virtue we might expect: there's an amusing non-verbal interplay between her and Tamora, in which she leaves no doubts as to her opinion...

Author: By Lynn Y. Lee, CRIMSON STAFF WRITER | Title: Eerie 'Titus' Ushers in Halloween at Adams | 10/31/1997 | See Source »

...recent afternoon John Henderson dictates to his writing class, "An alien landed at Rio Rancho and saw..." Each student is to continue the story for a sentence or two. "And when I say, 'Stop!,'" Henderson explains, "pass your paper to the next person." The hilarious results are intended to convey something about character development and narrative, if only by their absence...

Author: /time Magazine | Title: STARTING FROM SCRATCH | 10/27/1997 | See Source »

...basic styles of diction: shouting and petulant muttering. The first, which appears in most of his earlier scenes, entails Colapinto's roaring his lines very loudly and in evident agony at the ceiling, the audience, the other characters, or whatever happens to be handy. The goal, evidently, is to convey Macbeth's anguish and guilt. This is in itself not really so objectionable. Histrionics is a forgivable flaw in a performance that calls for intense extremes of emotion...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Strutting and Fretting Upon the Stage (For Three Hours) | 10/24/1997 | See Source »

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