Word: convey
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Jewett said last week that the main significance of the Task Force was to convey student attitudes to the administration, but at the same time conceded that the Task Force was not representative of the entire campus...
...hands, the act of drawing acquired an extraordinary power and range. It was, in one sense, sculptural: the dense shadows of ink wash convey the shape and width of a head or a body with such emphasis that you feel you could almost lift it off the page. Drawings like Two Men Conversing or The Drinkers are so vivid in their tonal structure, and at the same time so natural and unpretentious in their expression, that you feel included in the meetings they depict. Daumier's line is always in motion, and startlingly responsive to the perceived moment...
...making their pleas, the cavernous Piranesian spaces of the anteroom to the Palace of Justice known as the Salle des Pas-Perdus, or Room of Wasted Steps, the frightened clients, the stone-faced ushers, the bewildered accused in the dock. It took another 19th century genius, Dickens, to convey in fiction what Daumier gives in line and wash: the sense of the law, not as a means toward fairness or justice but as an enormous and self-feeding machine, abstract and inhuman, operating far beyond the lives it is supposed to regulate, masticating its diet of human hope...
Despite the phrases which teach, even instruct, and despite the powerful anger these poems convey, their most striking element is love. Almost every poem ends with a phrase describing a healing, embattled love: "but the night was dark/ and love was a burning fence/ about my house," she writes at the end of "Gemini." "Quiet love hangs/ in the door of my house/ a sheet of brick-caught silk/ rent in the sun" concludes "Echo", also written in the 1950s. But "Dreams Bite", written in 1968, ends "I shall love/ again/ when I am obsolete...
...back even further, but it is surging in popularity thanks largely to two popular books. They are, confusingly, Complexity, by M. Mitchell Waldrop, and Complexity, by Roger Lewin; both authors formerly wrote for the journal Science. Like James Gleick's wildly successful 1987 book Chaos, each volume attempts to convey to lay readers the basics of the science as well as the excitement it is generating among its practitioners. (Mini-review: Waldrop's book, a straightforward, detailed account, succeeds admirably; Lewin's, a chatty personal memoir, does...