Word: conveyance
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Dates: during 1950-1959
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Rouleau, however, does far better as a director. In a series of remarkably effective close-up shots he manages to dramatically convey the tension, uncertainty, and fear of the people of Salem. Except for an overly chaotic courtroom scene, the picture is smoothly and intelligently handled. (George Auric's score, incidentally, masterfully underlines the terror of the townspeople...
...unfortunate Proctor, Yves Montand suffers and grimaces with commendable vigor, but he never manages to convey the internal conflict that threatens to destroy him. Perhaps this is not his fault, for Sartre has created a John Proctor who is more of a symbol than a tragic hero. At any rate, acting laurels must go to Simone Signoret, who plays Proctor's wife with a combination of puritan pigheadedness and feminine warmth that makes her the only completely convincing character in the film. Director Rouleau's portrayal of Deputy Governor Danforth, the prosecutor, is so blunt that even in his moments...
Gibson is extraordinarily lucky to have the assistance of Penn as director and of Patty Duke in the role of Helen. Since Helen cannot speak, her every movement must convey something to the audience; Helen cannot be played as a mere dumb animal, for the entire play is meant to prove that there is something inside her, waiting to be released. Under Penn's direction, Miss Duke is more than a success in this awfully taxing part; without ever uttering a word, she is the most memorable child actress to appear in years...
...star, the C.D.F. next offered Macbeth. For the title role, it played a long shot by engaging Jason Robards, Jr. and lost. Although Robards' performances in 20th-century American works have been unbeatable, he proved himself as yet vocally unequipped to cope with the demands of Shakespearean language. He conveyed much through his face and eyes; and his delivery of some short, forceful phrases was admirable. But the longer speeches tripped him up; he could not convey the sense, the rhythm, and the grandeur. He breathed improperly, so that he often had to pause at the end of a line...
Like Iscariot, we are prostrated by a weight too oppressive for us to bear, and it is anything but an accident that, as Niebuhr and Tillich and Dawson have shown us, religious language provides the most adequate metaphors for conveying our thoughts and feelings on this subject. But it is of the first importance to remember what the distinguished theologians themselves sometimes forget, that these are only metaphors. Only religious discourse has evolved expressions powerful enough to convey how intense political concerns have become today because the latter alone deals meaningfully today with what once the former alone could speak...