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Word: conveyed (lookup in dictionary) (lookup stats)
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...competent Macbeth may be expected to convey the rushing theater, the rising drama of the first three acts and the intense poetry of almost all the play. The Old Vic did both things and something more. It communicated what is so ominous, so Oedipus-like, in the prophecies that by seeming to shield Macbeth from Nemesis only speed him toward it. And it caught the play's feudal, barbaric, night-lighted atmosphere, the sense of a haunted world no less than a haunted...

Author: /time Magazine | Title: The Theater: Old Plays in Manhattan, Nov. 12, 1956 | 11/12/1956 | See Source »

...moments a man of intense, Hamlet-like imagination. But the difference between the two men that Saintsbury noted-that Macbeth can never leave off whereas Hamlet can never begin, so that Macbeth is increasingly ruthless and consistently unremorseful-is what makes Macbeth not easily tragic. Rogers could not convey what might make him so: an awful sense of alienation, of that

Author: /time Magazine | Title: The Theater: Old Plays in Manhattan, Nov. 12, 1956 | 11/12/1956 | See Source »

...Carpet Welcome. Despite this tendency to load her political dice. Han Suyin can convey the heat, the squalor, and flux of Asiatic life with expert touches...

Author: /time Magazine | Title: Jungle Tract | 11/12/1956 | See Source »

...there are times when Aaron manages to find and convey the dramatic moments. The reporter describing New York's death by the black gas, James Stinson, has the reserve of an announcer and the sensitivity to horror of the actor. Colgate Salsbury brings a depth and a strength, mingled with pomposity, to the Secretary of the Interior. Eugene Pell does a praiseworthy, although not convincing job as the Princeton professor who watches the Martians with a philosophical eye from the first flourish to the last wriggle...

Author: By Robert H. Sand, | Title: War of the Worlds | 10/30/1956 | See Source »

...play probably has enough serviceable tricks, enough scattered brilliance, enough second-bounce for a superlative production to bring the whole thing off. The current production is no more than a very competent one; it cannot convey a needed sense of grand-staircased crescendoes and crystal-chandeliered wit. As Magnus, Maurice Evans has his real virtues, and the right polished utterance, but for parry-and-thrust he uses a gold-headed cane instead of a rapier, and he seems in manner more tutorial than ironic...

Author: /time Magazine | Title: The Theater: Old Play in Manhattan, Oct. 29, 1956 | 10/29/1956 | See Source »

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