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...lower classes, "the cult of the poor," did not begin until the eighteenth century. Before that time proletarian milleniums were unheard of, and unimagined. Mr. Sinclair would have one believe that "when an artist embodies his emotions in an art form, he does so because he wishes to convey those emotions to other people . . . and he will change the emotions of other people. But emotions, unlike opinions, such as Mr. Sinclair's, are products of gradual evolution and are the common heritage of the times. The effect of art, is often too quicken the response of emotions already possessed...

Author: NO WRITER ATTRIBUTED | Title: WHAT PRICE ART, MR. SINCLAIR? | 3/23/1925 | See Source »

With all this in mind, the British and French Cabinets agreed last week that evacuation of the Cologne area was impossible. The Council of Ambassadors undertook to convey the information officially to the German Government. Germany, because of the publication of the French and British Cabinet decision against evacuation, had already heard the news, was indignant. Practically all the German press, irrespective of party affiliation, joined in condemning the action. In Monarchist circles, there was wild talk of. Germany being justified in not working the Experts' Plan...

Author: /time Magazine | Title: INTERNATIONAL: To Stay | 1/5/1925 | See Source »

...Pennsylvania Society of New York, desiring to convey an honor, invited U. S. Solicitor General James M. Beck to be its guest. It was incumbent upon Mr. Beck to make a speech, and he spoke on the Supreme Court. "Once again," he asseverated, "the Supreme Court has survived a real crisis in its existence. A distinguished Senator, leading a new party movement . . " In short, he recounted the history of last fall's campaign and declared that 28,000,000 voters supported the Supreme Court and 4,000,000 turned against it. He explained at length why he believed...

Author: /time Magazine | Title: SUPREME COURT: Advisory Opinions | 12/29/1924 | See Source »

...tell an actor how to say his lines. Most of them leave that part to the actors, themselves, and so the plays are broken up. Instead of a play being the expression of a single man it is the expression of the entire cast, and does not convey the author's meaning...

Author: NO WRITER ATTRIBUTED | Title: CERCLE COACH DERIDES AMERICAN PRODUCTIONS | 10/23/1924 | See Source »

...French producers, on the other hand, are artists. Before producing a play they study it carefully, and try to determine what the author is attempting to convey. After they have studied the play until they know it thoroughly they call in the cast, and as the production proceeds they tell each actor and actress just how they want each line spoken and accented...

Author: NO WRITER ATTRIBUTED | Title: CERCLE COACH DERIDES AMERICAN PRODUCTIONS | 10/23/1924 | See Source »

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