Word: conveyer
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...footers will not risk cracking their heads on the door frames; the entry, at 6 ft. 2 in., will be two inches higher than the doorway of today's 707s or 727s. For passengers who are accustomed to high-density seating, the 767's economy section will convey a sense of spaciousness, because the seats will be arranged in a two-three-two configuration and divided by two aisles...
There are several fine acting performances in this film--most notably Ventura's as the cool, savvy inspector. Ventura has a striking physical presence which he uses well to convey the grave sense of urgency that dominates the picture. His ability to keep his cool contrasts effectively with the surrounding madness. Fernando Rey as the pragmatic Minister of Justice and Max Von Sydow as the fanatically authoritarian Chief Justice also play their roles convincingly...
James Michener's virtue is a powerful sense of place and the ability to convey great sweeps of time. His weakness is an insistence on covering murals with so much background and foreground that he has learned only a few ways of doing faces. One expression represents nobility, and another fills in the crowd scenes. Pentaquod, the Susquehanna Indian whose migration to the Chesapeake Bay's eastern shore in 1583 begins the new novel, is later seen as Cudjo the rebellious slave. He reappears as George Washington, who visits the bay area after the Revolution, and then...
...keeps rap-rap-rapping for the President's ear. His friends call him Zbig, and their one-word description is energetic. He thinks fast, acts fast, talks fast. Critics would say too fast, too compulsively and too impulsively. Even his trim body, angular face and darting eyes convey an image of intense energy...
...draws a diagram to illustrate his points. On one side is narrative content, and on the other cinematic technique. In the center is the integration: art to convey a message. He places Annie Hall on the narrative content side (he considers the film cinematically inept), and Jaws on the side of good cinematic technique with trivial content. Neither bridges the gap the way Welles' Touch of Evil, superficially seen as a lurid melodrama, does, creating a broader cinematic metaphor. He gives Annie Hall a grade of B-, Jaws a D. So much for my favorite films...