Word: conveyer
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Dates: during 1970-1979
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...paintings show Kupka's sizeable vocabulary of line and color, the grammatical expertise of his construction, and the complexity of the thought he is trying to convey. But the majority of the works fail to make an artistic statement. It's hard to pinpoint Kupka's shortcomings. Certainly he had a clearly defined idea of his art (even if it's hard to follow...
Certain other technical aspects of the film are annoying and combine with Verneuil's confusion to undermine the impact of the camera-work. The score, whose recurring theme features a plodding bass line supposed to convey a sense of impending doom overlaid by a piercing electronic whistle intended to raise us to a pitch of terror, is grating rather than eerie. The actors' voices seem to be dubbed; even though they are mouthing English words, the soundtrack is not synchronized...
...spent most of their time hanging out, trying to be cool, driving old cars down interstates late at night and making periodic stops at lovers' lanes. Even though the characters Springsteen sang about were a particular type (East Coast, specifically New Jersey urban; middle class; apolitical) he managed to convey something of the quality of American adolescence in general--the pain, the self-and-status consciousness, the particular tackiness of those years. His songs recognized the power of adolescent experiences, and acknowledged that some people spend their lives stuck in their teen-aged identities...
...Faulkner's style intrudes: "Clarence carrying o'clock twelve." The more experimental parts of the book are far from perfect. At times there are too many lists of food and too many clumsy attempts at representing noises in onomatopoeic form--for example, "creer chee, creaca chee, creesh shee" to convey the sound of shoes on a sidewalk. At other points in the novel, the symbols are too apparent. The silver dollars which Charles uses to cover his dead fathers eyes later roll around floors and are found in desks and awarded as prizes in running races throughout the book...
BEUSMAN, UNFORTUNATELY, plays Miss Lonelyhearts as a goofy adolescent type who broadcasts his weirdness by making grotesque faces. Unable to convey the fervor of Miss Lonelyhearts' hysterical religiosity, he supplements his limited emotional range with a series of stock expressions and mannerisms--employing a conscious hesitation in his voice, staring stupidly into space, shrugging his shoulders, bouncing up and down on the balls of his feet. Sporting a perennial grimace, Beusman is far better at looking disgusted--as in his first run-in with the man-starved Mrs. Doyle--than at appearing lovable or humane; as a result, his scenes...