Word: conveyer
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Dates: during 1970-1979
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Only by shunning these petty concerns, the Captain argues, can one hope not merely to survive but to live. Stein is able to convey both this integrity and the salty humor of the old mariner through his slow, shuffling gait and simultaneously gruff and affectionate delivery. Stein's portrayal is the highlight of the production Above all, one senses in his performance the supreme confidence of an actor who has come to understand and accept his role, just as the Captain has carved out a lifestyle for himself in a world in which he is merely a vestige...
...series of disasters that teach him to view life a bit more realistically. To reproduce the Voltairian spirit. Prince engaged Hugh Wheeler (A Little Night Music, Sweeney Todd) to re-write the book and Stephen Sondheim (ditto) to furnish some additional lyrics. He also "cast young" in-order to convey the naivete the original production lacked. The Loeb version has added a few direct confrontations between Candide and Voltaire, in which the character and his creator discuss the manifestations of God's will in the world: this dialogue prevents the musical from becoming a mindless circus...
...grandeur of the Koran is difficult to convey in English translation. Although Islam's Holy Book is considered God's precise word only in Arabic, a generally recognized English text is that of Abdullah Yusuf...
...play itself must take some of the blame. As in many of Shakespeare's tragedies, the performance of the lead actor can make or break the production. In School for Wives, the role of Arnolphe is tremendously difficult. On stage throughout most of the show, Arnolphe must almost always convey comic consternation as Horace continually foils his lovely plans. The success of several scenes depends almost solely on Arnolphe's facial expressions upon hearing Horace's descriptions of the ups and downs of his attepts to woo Agnes. Toope has the energy to play Arnolphe, but little of the control...
While Stone fails to control Toope carefully enough, he certainly clamps down on Lizellen La Follette, who plays the virginal Agnes. Her dull monotone and glazed stare were intended, one supposes, to convey her innocence. But we only know that she embodies purity and goodness because others characters tell us she does. Soft violin music accompanies her entrances. All La Follette's performance suggests is that Agnes lacks personality...