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...somehow these things almost don’t matter. Folds is now wiser and more mature as a songwriter, and can now acheive with lyrical subtlety what once required the emphasis of roaring vocals and crashing piano. The strongest songs on Suburbs are more autobiographical, able to convey genuine emotion without falling into the trap of sentimentalism...

Author: By Joseph P. Flood, CRIMSON STAFF WRITER | Title: Back into the Fold | 10/5/2001 | See Source »

Medical records never convey these sentiments. After the war, my father brought my mother and brother to the United States where doctors scrutinized John’s condition. “Mr. John Adams is an Asian male who has been a quadriplegic since 1976. The quadriplegia developed after encephalitis. The patient was worked up by infectious disease doctors who could not determine a cause for the encephalopathy. The encephalopathy resulted in the quadriplegia and mental retardation. The patient will never progress further than six years of age and will need full-time care for the rest of his life...

Author: By William L. Adams, CRIMSON STAFF WRITER | Title: A Word About John | 10/4/2001 | See Source »

...alternate persona towards the album’s close. On “Drop in the Ocean,” gone is the infectious jaunt and impulse of earlier tracks, and in its place is a more tortured soul: Raw, brooding and foreboding. Branch uses her lower register to convey a wrenching sense of loss ,and when ascending into her upper register, she conjures the sound of Björk in her melancholy, perhaps the harbinger of darker releases forthcoming...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: Michelle Branch | 9/28/2001 | See Source »

HIPJ organized the rally—featuring eight speakers—to convey its message affirming the sanctity of human life, condemning racism, encouraging the protection of civil liberties, and promoting dialogue to find alternatives...

Author: By George Bradt, CRIMSON STAFF WRITER | Title: Rally Promotes Peace Despite Terror Attacks | 9/21/2001 | See Source »

...don’t convey my effusive praise of Esparza to indicate the show itself was unspectacular. On the contrary, it is a beautiful piece full of hard-driving anthems of hope, which also features a witty commentary on yuppie life, infectious pop songs and an homage to Sondheim. Without being told the composer, one can recognize the voice that would later create RENT. The show, however, is more than an early work to be admired merely for its promise. Yes, it reminds of all the great musicals that Larson will never get a chance to write; but it also...

Author: By Adam R. Perlman, CRIMSON STAFF WRITER | Title: Everybody's Got the Right | 9/14/2001 | See Source »

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