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...word neo-expressionism is misapplied to American art in the '80s. The marks that convey heaviness and heat -- turgid, lava-like floods of paint, fulgurous color, primitive and mythic imagery, and the like -- are, as any art student knows by now, conventional signs that can be (and usually are) manipulated as lightly and coldly as Coke bottles in a Warhol. In this republic, the "expressive" comes down to another form of pop art, retooled for an audience strung out on fictions of personal authenticity...

Author: /time Magazine | Title: Art: Careerism and Hype Amidst the Image Haze | 6/17/1985 | See Source »

...book's great length and leisurely pace convey the sense of a bygone era, while the author's attachment to misfits and backwaters never goes out of style. Neither does his premise: two aging gunfighters give it one more shot. Gus McCrae and Woodrow Call are descended from the noble buddy system of American literature. Exotically paired males, like Natty Bumppo and Chingachgook, Ishmael and Queequeg, Huck and Jim, fling themselves at the wilderness and sooner or later paddle into the mainstream. McCrae and Call join the mythic flow by stealing a herd of Mexican cattle and driving them from...

Author: /time Magazine | Title: Books: It's a Long, Long Tale Awinding Lonesome Dove | 6/10/1985 | See Source »

Cecelia C. Meagher '85, a fellow Chem 10 student, came to Nadkarni's rescue after 45 seconds, summoning an ambulance to convey the stricken freshman to the hospital. "He was still breathing," recalls Meagher, a certified Emergency Medical Technician who does not forget the extreme irony of would-be doctors ignoring their unconscious comrade...

Author: By Timothy W. Plass, | Title: A Harvard Hinjew | 6/6/1985 | See Source »

Part of her success is due to the personal interest she takes in her teaching. Vosgerchian says she "tosses and turns" the night before every lecture because of her "intense desire to share" and the simultaneous fear that she might not convey her message to the students, she says...

Author: By Jonathan M. Moses, | Title: Worth The Price of Admission | 6/6/1985 | See Source »

Thompson's doesn't just bitch on this album, though. In the two slow songs, "Love In A Faithless Country" and "Ghosts In The Wind," he almost entirely dispenses with words, preferring to convey emotion by constructing dissonant, haunting atmospheres full of tragic and pathetic echoes. Thompson is one of the few guitarists in popular music who dares to use leaps of dissonance in his soloes: often you'll here bits of the blues, Celtic folk, heavy metal, and even classical stylings woven into the same song. Sometimes, in the overextended jam. "Country", for example, this variety can lack focus...

Author: By Jeff Chase, | Title: To Be The Very Best | 4/26/1985 | See Source »

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