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...larger problem, with serious consequences for the formulation of policy, is the unstable truce between the volatile Haig and the White House staff, particularly National Security Adviser Richard Allen. The Secretary's staffers convey the impression that their boss is a man under siege, subject to criticism and sniping that goes well beyond the expectable vying for power between State and the White House. Reagan's top aides insist that Haig has plenty of friends and admirers in the White House, that his counsel is trusted, and that he has won more battles than he has lost...

Author: /time Magazine | Title: Troubles with a Prickly Ally | 7/27/1981 | See Source »

...movie fails in its (fortunately rare) attempts at seriousness. When Moore sobers up, the movie loses its sparkle and falls flat. Gordon's writing talents end with the jokes--he lacks the necessary subtlety to convey real emotion. Minnelli. Moor and John Gielgud (brilliant as Arthur's paternal butler) utter lines to each other now and then that are supposed to mean things but actually don't, and the audience squirms in its collective seats and waits for Moore to go back on the sauce. When Gielgud has difficulties near the end, you want to feel...

Author: By Charles W. Slack, | Title: Rich Little Rich Boy | 7/24/1981 | See Source »

This is true of men, women, children, individually and in groups of all sizes. Nations and the realm of politics lean heavily on indirect gesture and charades to convey important messages. Take Secretary of State Alexander Haig's talks in China: Was not his actual purpose to send a signal to the Soviets? Societies signal prevalent values to their members by what is applauded and what condemned; status symbol is synonymous with status signal. "Language," said Samuel Johnson, "is the dress of thought." But all over the world people act as though language were mere costume-and usually...

Author: /time Magazine | Title: Essay: Why So Much Is Beyond Words | 7/13/1981 | See Source »

Sooner or later, for any word lover, the human habit of wordless signaling leads to a simple question for which there is perhaps only a complex answer. The question is why has language, given its unique power to convey thought or feeling or almost anything else in the human realm, fallen so short as a practical social tool for man. The answer is that it has not. Instead, the human creature has fallen short as a user of language, employing it so duplicitously that even in ancient times the wise advised that people should be judged not by what they...

Author: /time Magazine | Title: Essay: Why So Much Is Beyond Words | 7/13/1981 | See Source »

...empty. One gazes at them frontally, as at a real mirror, but nothing shows up in their superficial depths. The spectator is a phantom. These icy, imperturbable tondos and ovals may say more about the nature of Lichtenstein's imagination than anything he has painted since. What could convey better than a blank mirror his belief that exhibitions of the self are hateful in painting...

Author: /time Magazine | Title: Art: An All-American Mannerist | 6/22/1981 | See Source »

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