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Gonzo journalism takes the oxymoron "objective journalism" and laughs in its face. When Thompson "covers" an event, he writes through his own eyes and experiences, because it is the best--if not the only--way to convey what he has seen...

Author: By James G. Hershberg, | Title: Going, Going, Gonzo | 8/7/1979 | See Source »

...herself simply calls the book an entertainment. It is that and more, for she proves to be not only spinner of bizarre and hunting fantasy but a sharp social observer as well. Her descriptions of New Zealand suburbanization, of California as public confessional booth, of television and religious fakers convey a reality as urgent as Alice Thumb's creativeschizophrenia. -R.Z. Sheppard...

Author: /time Magazine | Title: Books: The Diary of a Mad Widow | 8/6/1979 | See Source »

...evil are presented on equal terms; there is no shift in the narrative voice. In the banality of evil, as Hannah Arendt so well described, lies its horror. The pre-moral eyes of a growing child and the discipline of the poet lend the narrative the detachment needed to convey this banality. The narrator does not judge, but show, weaving the events into a fabric of legend and death...

Author: By Kim Bendheim, | Title: Outlasting Death | 8/3/1979 | See Source »

...shopping malls. She is always honest in her examination of a setting or person. She damns through accuracy, not forceful moral argument. In "Bureaucrats," for example, she perfectly captures officials' self-importance and insularity. Placing contradictory statistics after bureaucrats' fatuous proclamations, she quietly pillories them. But she can nevertheless convey their own sense of misguided sincerity...

Author: By Susan D. Chira, | Title: Crippling Sensitivity | 7/13/1979 | See Source »

ALLEN'S auteuristic attitude has been apparent in a number of his films: Sleeper, Love and Death, Annie Hall and, especially Interiors. More and more he has been concerned with not only the thematic-interpretive aspect of the film narrative, but also with specific cinematic devices which convey the film's content and message in a cinematic way. Accordingly, Interiors marks the crucial point in Allen's directorial evolution, expressing much of the script's meaning through purely auditory/visual means instead of via dramatic situations, mise-en-scene, dialogue and acting. Like Chaplin (in A Woman of Paris ), Allen...

Author: By Vlada Petric, | Title: A Renaissance Of American Film Comedy | 6/25/1979 | See Source »

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