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...deaf. Perhaps the fact that Gabrial has so many speeches--which could possibly be read as internal monologues--led them to this. At any rate, Dobal comes across as exactly what he is--a 20-year-old actor with silver paint in his hair. He doesn't convey enough of the decrepitude or pathos inherent in Gabriel's character. In a key scene with Serge at the end, however, he manages to expand into his role, and that helps forgive much of his performance...

Author: By Joseph B. White, | Title: A Family Affair | 3/15/1979 | See Source »

...study suggests using it as the basis of an even larger network. Underground drain pipes would carry salty water from individual farms to larger collection drains, which in turn would link up to a main 10-ft.-deep concrete viaduct. From its starting point, near Bakersfield, the viaduct would convey the salty water 290 miles away to Suisun...

Author: /time Magazine | Title: Environment: Briny Burden | 3/5/1979 | See Source »

...first visit ever to the Middle East by an incumbent U.S. Secretary of Defense. "The trip is intended as a demonstration that the U.S. recognizes the strategic importance of the region," a senior defense official told TIME Correspondent Don Sider, who accompanied Brown. "It is our purpose to convey the reassurance that we will stand by our friends against external threats...

Author: /time Magazine | Title: World: Reassuring Some Friends | 2/26/1979 | See Source »

...analysis of the origin of comedy, including his own. He defines his talent as a gift that comes "from deep within me," eschewing any deeper analysis of his motivation. If not laden with intellectual insights, his statements frequently posses a quiet eloquence. When someone suggests that his plays convey no messages but are simply laugh riots, he replies that light-heartedness can express a deeper meaning. Many of his comedies focus on people paralyzed by a sense of inadequacy...

Author: By Troy Segal and Michael E. Silver, S | Title: A Man of Wit and Wisdom | 2/22/1979 | See Source »

Dern has his detractors--people who think he perpetually overacts. He might, but that's what makes him so interesting. Most comfortable in "psycho" roles, Dern's bulging eyes and thin, strangled voice convey inner torment and rage better than any film star today. He frequently suggest a cross between Anthony Perkins and Jack Nicholson--a homey, sardonic, seventies Norman Bates--and those quivering depths make his comparatively restrained performances in The Great Gatsby and Smile teeter devastatingly on the brink of an explosion. But in his all-out roles--in Silent Running, Black Sunday, Coming Home-- Dern makes...

Author: By David B. Edelstein, | Title: Strangely Bland | 2/12/1979 | See Source »

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