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...name, of course, was also chosen (by Revson) to lend a note of elegance; one woman who uses the perfume was let down to discover that it came from Revlon. Says she: "I bought it because I thought it was Italian." Cosmetics names in general are picked to convey some image, but among the thousands of nail polish and lipstick shade names, the images get a bit fuzzy...

Author: /time Magazine | Title: Cosmetics: Kiss and Sell | 12/11/1978 | See Source »

Sackeim's interpretation of the evidence is that the emotional left side of the face may have evolved to convey a clear message about feelings-the facial expression is more strongly drawn to compensate for the poor ability of the left brain to read faces. Sackeim's research has also convinced him that the brain's right hemisphere is more heavily involved in expressing emotions than the left. What does it all boil down to, in practical terms? When in doubt about anyone's feelings, just study the left side of the person's face...

Author: /time Magazine | Title: Behavior: People Are Really Two-Faced | 12/11/1978 | See Source »

BAKSHI AND COMPANY must be blatant since they do not reach below the surface of the books to convey what Tolkien was really writing about: The books succeed, despite admittedly two-dimensional characterization and large doses of sword fightin' and horse ridin', because Tolkien subtly leads you into his world and somehow makes you care about what goes on there, makes you afraid of the evil which threatens it, and involves you in the adventures as if you were there. Bakshi's world is merely a cartoon, somehow you can't get around that whether you know the books...

Author: By Joseph B. White, | Title: Ripping-Off the Ring | 11/22/1978 | See Source »

Glass, therefore, does not like to use language to convey meaning. He admitted, however, that "when you're writing an opera that can be a major problem...

Author: By Maxine S. Pfeffer, | Title: Glass Talks About His Music | 11/7/1978 | See Source »

...Says he: "I look for the added dimension in a shot, as well as its aesthetic quality. Does the photo give information the story cannot offer? Does it evoke the mood of an event or give insight into character? Our pictures are never merely decorative; they are meant to convey facts visually." By necessity, Drapkin is also a detective and travel agent, since, as he says, "the best picture in the world doesn't matter to us if it's not here in my office." Hunting down wanted pictures-and finding ways of transporting them to New York...

Author: /time Magazine | Title: A Letter From The Publisher, Nov. 6, 1978 | 11/6/1978 | See Source »

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