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TIME'S investment in editorial color is more than matched by our advertisers' investment in color pages. These advertising pages-whether in color or black-and-white-convey much information to the reader about a wide variety of products and processes...

Author: /time Magazine | Title: A Letter From The Publisher, Feb. 29, 1960 | 2/29/1960 | See Source »

Dwight Eisenhower's self-assigned task, as he flies south to Latin America this week, is to convey, through his own popular image, the image of a U.S. policy that is not always as well understood. Basis of the policy: the U.S. shares with Latin America and the rest of the free world the goal of a world with less privation and fear, more peace with justice and freedom. The President's 15,560 jet trip through four democratic, rapidly developing republics (Argentina, Brazil, Chile, Uruguay) comes as a climax to steadily growing U.S. concern for Latin America...

Author: /time Magazine | Title: THE PRESIDENCY: The Man & the Purpose | 2/29/1960 | See Source »

...horse imparts one kind of life to the loop of a mile-long track, and a man making the same circuit in a wheelchair gives it quite another. Even a static sculptured figure can dramatize space somewhat, as by seeming to point or to run. But can sculpture ever convey the sense of rapid, elaborate motion through space that almost every child of the steel age daily experiences? "Yes," says Norbert Kricke of Duesseldorf, and his does...

Author: /time Magazine | Title: Art: Steel-Age Sculptor | 1/4/1960 | See Source »

...SHALL try to convey to everyone our earnestness in striving to reduce the tensions dividing mankind-an effort first requiring, as indeed Mr. Khrushchev agrees, the beginning of mutual disarmament. Of course, I shall stress that the first requirement for mutual disarmament is mutual verification...

Author: /time Magazine | Title: National Affairs: PEACE & FRIENDSHIP-IN FREEDOM | 12/14/1959 | See Source »

Travis Linn (Parson Manders) gives the most convincing performance. His long speeches, often addressed to the painted fjords at the rear of the stage, are often flat, but, in his shorter lines, he managed to convey the Parson's fatuousness...

Author: By Paul S. Cowan, | Title: Ghosts | 11/13/1959 | See Source »

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