Word: convoy
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Dates: during 1970-1979
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...average showing. I Wanna Hold Your Hand, another Beatles-inspired movie, got a clammy reception three months ago. Notes MCA President Sid Sheinberg ruefully: "I liked it. There was only one thing wrong-nobody wanted to see it." Other big, new movies with this embarrassing ailment include Convoy, International Velvet, Big Wednesday and The Swarm...
...heading for the deepest reaches of the Gulf Stream. Our skipper was Pete Peacock, 41, a contractor by trade but a fisherman by avocation, one of the best in the Miami area. If anyone could find the big broadbill, it was Peacock. Two other fishing boats tagged along in convoy as we tore out of the Cape Florida Channel at 30 m.p.h. The CB radio crackled with reports of battles near by: a 300-pounder landed off Fort Lauderdale ... a three-hour fight in progress with a gargantuan swordfish off Key Largo...
...death toll rises steadily as the bloody civil war in Rhodesia grinds on, with little hope for an early settlement. Last week black nationalist guerrillas attacked a convoy of 50 vehicles at Kariba, 140 miles north of Salisbury. A bus driver and three young white girls died from bullet wounds; 16 other passengers were wounded. Later, guerrillas attacked and set fire to a tiny village in the Zwimba Tribal Trust Land, killing 17 of its 22 black inhabitants...
Kris Kristofferson, a fine actor who has worked well with Peckinpah previously, plays the starring role of Rubber Duck, a laconic, independent trucker who leads a convoy of fellow drivers on an endless protest trek across the American Southwest. He is a typical Peckinpah hero, a macho embodiment of oldtime frontier values. Early on he hitches up with a Peckinpah heroine - a bitchy, citified photographer who is hungry for a Real Man. For some reason, Ali MacGraw has emerged from unofficial retirement to play this demeaning role. Peckinpah shows his gratitude by shooting her synthetic facial expressions in humiliating closeup...
...Convoy's script, based on C.W. Mc-Call's bestselling pop song, rarely flirts with logic. The dialogue, which is glutted with CB-radio slang and western-movie cliches, ranges from the absurd to the subliterate. We never understand why Rubber Duck's nemesis (the congenitally irate Ernest Borgnine) is after him or what the truckers' grievances are. What's worse, we don't care. Next to this muddleheaded film, F.I.S.T. starts to look like a dynamic political manifesto. Peckinpah tries to enliven the nonsense with slow-motion automotive stunts and barroom brawls...