Word: cool
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Dates: during 1960-1969
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...implication is that LSD makes loving easy. How nice. But, interrupts a spoil-sport, how 'bout tomorrow? Will love produced by a drug remain forever? Is embracing a non-tripping world realistic? Corman produces enough ambiguity to placate the rest of the world while he angles for a cool-world audience. He calculates the indecisiveness of his movies. A cop-out of the dirtiest kind...
Into Next Year. The mobs cared nothing for "Negro leadership" either. When the riot was only a few hours old, John Conyers, one of Detroit's two Negro Congressmen, drove up Twelfth Street with Hubert Locke and Deputy School Superintendent Arthur Johnson. "Stay cool, we're with you!" Conyers shouted to the crowd. "Uncle Tom!" they shouted back. Someone heaved a bottle and the leaders beat a prompt retreat, not wanting to become "handkerchief heads" in the bandaged sense of the epithet. "You try to talk to these people," said Conyers unhappily, "and they'll knock...
...Violence is necessary. It is as American as cherry pie. If you give me a gun and tell me to shoot my enemy, I might just shoot Lady Bird." Echoing Brown, Harlem's defrocked Congressman Adam Clayton Powell, still in Bimini after seven months, did little to help cool off things by announcing in the midst of Detroit's troubles that such riots were "a necessary phase of the black revolution-necessary...
...liking for the cool quality of prints was reflected in the judges' awards. Although the exhibition abounds in brilliant colors, the jury awarded its top prizes to the predominantly monochromatic works of the U.S.'s Jasper Johns, 37, and Spain's Antoni Tapies, 44. Tapies' composition No. 39 shows a somberly dramatic doorway opening onto a mottled moonscape marked by tiny red crosses ("It signifies my whole life," explains Tapies). Johns's Pinion is a prime illustration of Krzisnik's "alienation," since it literally depersonalizes one of Johns's zanier collages, which includes...
...arrived at the time when the leggy, cotton-candy spectacles of Choreographer Busby Berkeley were giving way to the cool sophistication epitomized by Fred Astaire and Ginger Rogers. But Kelly discovered that he couldn't dance in white tie and tails. "I needed more room. I had to roll up my sleeves." Thus he developed a stereotype of the cinema dancer that endured for more than a decade: an ordinary chap in sports shirt, ballooning slacks and white socks (to draw attention to his feet). His style was virile, breezy, and charged with a lusty bravura, whether...