Word: cooled
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Dates: during 1960-1969
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...Sundance in Butch Cassidy and the Sundance Kid, Redford plays a cool, sardonic renegade with a deliberate and precise sense of irony. As an eager young skier in Downhill Racer, he smoothly combines naivete and monomaniacal ambition. But his most impressive role is to come. In the new film Tell Them Willie Boy Is Here!, he appears as a cold-blooded sheriff and gives his most powerfully sustained performance so far. This is plainly the first of what should be many Robert Redford vintage years...
Noel Coward pours the froth of inflection as if it were the champagne of wit. He is a connoisseur of surfaces, a sealer of the comic Everests of trivia. His plays are echo chambers of his own voice. His cool, clipped speech serves as an ironically British parody of the stiff upper...
...couldn't make it very clear. Jenny is a poor girl of Italian extraction, on scholarship at Radcliffe. She plays the harpsichord and is pretty much uninterested in everything else, Winthrop House jocks in particular. Brenda Patimkin in Goodbye Columbus was rich and cool about it, but here Oliver is the rich one-only not cool. Poor Oliver is absolutely taken with Jenny, and, eventually, she with him. The love story is happy this time (after the requisite trials and tribulations). You know this from the very beginning, because the body of the film is a flashback in husband Oliver...
Rives' posture has been cool and correct. Says one of Sihanouk's French advisers: "America has finally learned to deal with Cambodia with politesse and patience." Not that there is all that much to do. The entire nonofficial U.S. community in Cambodia consists of three women who are married to Cambodian husbands and Joe Foggy, a Negro fighter who has been coaching Cambodian boxers for several years. One of Rives' chief tasks has been negotiating a Cambodian claim for $12 million in damages to rubber trees caused by U.S. planes bombing too close to the Cambodian-Vietnamese...
THERE IS A scene in Medium Cool where Martin Luther King's voice appears over a television in some hot Chicago apartment on a summer night. It is the speech about having been to the top of the mountain, and hearing that tremulous sermon again reminds me that history is a process of forgetting. The dim past surges up before us, events which had an aura that defined them are obscured. Even Vietnam is an experience, like a dream, because it exists in a moment charged with the intentions of our lives...