Word: coolness
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Dates: during 1950-1959
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...they are a powerful stimulus to mental activity. At this point of my stay, I have scarcely seen half of the buildings; but I know the colossal libraries alone lure one into a thousand intellectual vistas, and then tease him into endless ventures of the mind. And finally, the cool, green, quiet campus completes the University's cordial invitation to study in this academic Paradise...
...ambitious as Newport's, and most of them feature the same names, though in lesser concentration. Playboy magazine, having been refused permission to use Chicago's Soldier Field, has contracted for Chicago Stadium (seating 20,000). The likes of Ella Fitzgerald, Count Basic, Stan Kenton and Cool Comic Mort Sahl (see SHOW BUSINESS) will perform from a revolving stage, facing an audience decked out in souvenir Playboy jazz blazers and skimmers...
...elongations and winding curves of the Art Nouveau and the flat picture plane and pure colors of Gauguin are employed to render a mood which is Picasso's alone. The other painting, the Maternite, is a great masterpiece of the Blue Period, an altar-piece of modern painting. Its cool blues, El Grecoesque modeling of the light on the draperies, and monumental rendering add up to the finest work by Picasso I can remember having seen--for good measure I'm even tempted to throw in Guernica! This painting is seen to best advantage on an overcast day when...
Visually, The Nun's Story is almost dazingly beautiful. The colors are rich and sensuous, the light innocent and cool; and when light and color play together on the medieval stones of Bruges or Brussels, the screen glows like an awakened frame of old Vermeer. Dramatically, the film has been admirably conceived and impressively executed. Religiously, it is rather shallow. There is merit in the picture's painstaking effort to convey the physical reality of convent life, but somewhere the spiritual reality is lost. The radiant pageant of devotion ravishes the senses, but it does not touch...
...failure is perhaps principally Director Zinnemann's, but it is partly Actress Hepburn's, too. The character she plays is a woman torn by powerful emotions, but, although a sensitive performer, the leading lady seems unable to express strong feelings of any kind. She is too cool; and so is the picture. She has the presence of the sprite, not the presence of the spirit. Calm and exquisite in her habit, she looks most of the time like nothing more troubled or troubling than (if such a thing were possible) a recruiting poster for a convent...